Johann Sebastian Bach (21 March 1685 ? 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.[1] Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse instrumentation, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg concertos, the Goldberg Variations, the Partitas, the Well-Tempered Clavier, the Mass in B Minor, the St. Matthew Passion, the St. John Passion, the Magnificat, The Musical Offering, The Art of Fugue, the English Suites, the French Suites, the Sonatas and Partitas for violin solo, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's abilities as an organist were recognized and highly respected throughout Europe during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition. (Collapse)...(Read more)
O holder Tag, erwünschte Zeit (O lovely day, o hoped-for time), BWV 210,[a] is a secular cantata by Johann Sebastian Bach. He wrote the solo cantata ...
O holder Tag, erwünschte Zeit (O lovely day, o hoped-for time), BWV 210,[a] is a secular cantata by Johann Sebastian Bach. He wrote the solo cantata for soprano in Leipzig for a wedding and first performed it between 1738 and 1746. Bach used material from a "Huldigungskantate" (homage cantata), O angenehme Melodei, BWV 210a, first performed in January 1729
The piece is scored for solo soprano voice, flauto traverso, two violins, viola, and basso continuo.
Bach wrote the cantata for a wedding; scholars suggest different possible events. Werner Neumann mentions the wedding of Anna Regina Bose and Friedrich Heinrich Graf (3 April 1742) and of Christina Sibylla Bose and Johann Zacharias Richter (6 February 1744), Herrmann von Hase suggests the wedding of Johanna Catharina Amalie Schatz and Friedrich Gottlob Zoller (11 August 1746). According to Michael Maul, the cantata celebrated the wedding of the Prussian Court Counsellor Georg E. Stahl (1741). The cantata text of an unknown poet suggests an influential man who esteemed music. The parts for soprano and continuo are written in exquisite calligraphy, probably as a gift for the couple. The words center on the relationship of music and marital love, ending in praise of the bridegroom as a supporter of music.
Bach used material from a "Huldigungskantate" (homage cantata), O angenehme Melodei, BWV 210a, for all the arias, the first recitative and part of the last recitative. Alexander Ferdinand Grychtolik edited a reconstruction of the lost homage cantata based on the wedding cantata, published by Edition Güntersberg. Bach's music is demanding especially for the soprano and the flutist. The movements show different instrumentation, to ensure variety in spite of only one singing voice. The arias show a "decrescendo" (Alfred Dürr), a diminishing of the number of instruments, towards the central Schweigt, ihr Flöten, schweigt, ihr Töne (Silence, you flutes, silence, you tones), in which the voice corresponds with the flute as in a duet. The following arias are scored "crescendo" until the final festive movement. While all other recitatives are secco, the last one is accompanied by figuration in the flute and the oboe d'amore, long chords in the strings.
Bach titled the work Cantata a Voce sola. The cantata is scored for soprano, flauto traverso, oboe d'amore, two violins, viola, violone, and harpsichord continuo.
Source: Wikipedia (https://en.wikipedia.org/wiki/O_holder_Tag,_erw%C3%BCnschte_Zeit,_BWV_210).
I created this arrangement of the fourth Aria: "Großer Gönner, dein Vergnügen" (Great patrons, your pleasure) for Flute & Strings (2 Violins, Viola & Cello).
GUITAR
KEYBOARD
STUDIO
PA
LIGHT
DEEJAY
MIC
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