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George Frideric (or Frederick) Handel (1685 – 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. He was born in Halle, Germany and spent his early life in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727.He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In t...
George Frideric (or Frederick) Handel (1685 – 1759)
was a German-British Baroque composer well-known for
his operas, oratorios, anthems, concerti grossi, and
organ concerti. He was born in Halle, Germany and spent
his early life in Hamburg and Italy before settling in
London in 1712, where he spent the bulk of his career
and became a naturalised British subject in 1727.He was
strongly influenced both by the middle-German
polyphonic choral tradition and by composers of the
Italian Baroque. In turn, Handel's music forms one of
the peaks of the "high baroque" style, bringing Italian
opera to its highest development, creating the genres
of English oratorio and organ concerto, and introducing
a new style into English church music. He is
consistently recognized as one of the greatest
composers of his age.
In 1733, the Earl of Essex received a letter with the
following sentence: "Handel became so arbitrary a
prince, that the Town murmurs." The board of chief
investors expected Handel to retire when his contract
ended, but Handel immediately looked for another
theatre. In cooperation with John Rich, he started his
third company at Covent Garden Theatre. Rich was
renowned for his spectacular productions. He suggested
Handel use his small chorus and introduce the dancing
of Marie Sallé, for whom Handel composed Terpsicore.
In 1735, he introduced organ concertos between the
acts. For the first time, Handel allowed Gioacchino
Conti, who had no time to learn his part, to substitute
arias. Financially, Ariodante was a failure, although
he introduced ballet suites at the end of each act.
Alcina, his last opera with a magic content, and
Alexander's Feast or the Power of Music based on John
Dryden's Alexander's Feast starred Anna Maria Strada
del Pò and John Beard.
Alcina (HWV 34) is a 1735 opera seria by George
Frideric Handel. Handel used the libretto of L'isola di
Alcina, an opera that was set in 1728 in Rome by
Riccardo Broschi, which he acquired the year after
during his travels in Italy. Partly altered for better
conformity, the story was originally taken from
Ludovico Ariosto's Orlando furioso (like those of the
Handel operas Orlando and Ariodante), an epic poem. The
opera contains several musical sequences with
opportunity for dance: these were composed for dancer
Marie Sallé. Alcina was composed for Handel's first
season at the Theatre Royal, Covent Garden in London.
It premiered on 16 April 1735. Like the composer's
other works in the opera seria genre, Alcina fell into
obscurity; after a revival in Brunswick in 1738 it was
not performed again until a production in Leipzig in
1928.
Source: Wikipedia
(https://en.wikipedia.org/wiki/Alcina).
Although originally composed for Opera, I created this
arrangement of the Aria: "Pensa a chi geme d'amor
piagata" (Think of she who moans, wounded by love) from
"Alcina" (HWV 34 Act II No. 3) for Flute & Piano.
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