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Wolfgang Amadeus Mozart (1756 – 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as one of the greatest composers in the history of We...
Wolfgang Amadeus Mozart (1756 – 1791) was a prolific
and influential composer of the Classical period.
Despite his short life, his rapid pace of composition
and proficiency from an early age resulted in more than
800 works representing virtually every Western
classical genre of his time. Many of these compositions
are acknowledged as pinnacles of the symphonic,
concertante, chamber, operatic, and choral repertoire.
Mozart is widely regarded as one of the greatest
composers in the history of Western music, with his
music admired for its "melodic beauty, its formal
elegance and its richness of harmony and texture". Born
in Salzburg, Mozart showed prodigious ability from his
earliest childhood. At age five, he was already
competent on keyboard and violin, had begun to compose,
and performed before European royalty.
The Magic Flute (Die Zauberflöte), K. 620, is an opera
in two acts by Wolfgang Amadeus Mozart to a German
libretto by Emanuel Schikaneder. The work is in the
form of a Singspiel, a popular form during the time it
was written that included both singing and spoken
dialogue. The work premiered on 30 September 1791 at
Schikaneder's theatre, the Freihaus-Theater auf der
Wieden in Vienna, just two months before the composer's
death. It was the last opera that Mozart composed. The
opera was an outstanding success from its first
performances, and remains a staple of the opera
repertory to this day.
In the opera the Queen of the Night persuades Prince
Tamino to rescue her daughter Pamina from captivity
under the high priest Sarastro; instead, he learns the
high ideals of Sarastro's community and seeks to join
it. Separately, then together, Tamino and Pamina
undergo severe trials of initiation, which end in
triumph, with the Queen and her cohorts vanquished. The
earthy Papageno, who accompanies Tamino on his quest,
fails the trials completely but is rewarded anyway with
the hand of his ideal female companion Papagena.
The overture, composed after the other parts of the
opera were complete, begins with a solemn three-chord
sequence from the brass, associated with the Priests of
the Temple of Wisdom. (The number three is highly
significant in Freemasonry and recurs as the number of
ladies, boys and temples.) It transitions in an adagio
to a lively fugue in E-flat major. Halfway through,
there is a false ending. After another three-chord
brass sequence, the fugue resumes in E-flat minor,
returning to E-flat major.
Source: Wikipedia
(https://en.wikipedia.org/wiki/The_Magic_Flute).
Although originally composed for Large Orchestra, I
created this arrangement of the Overture from "Die
Zauberflöte" (K.620 Act I No. 1) for Winds (Flute,
Oboe, Bb Clarinet, French Horn & Bassoon) & Strings (2
Violins, Viola, Cello & Bass).
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