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Wolfgang Amadeus Mozart (1756 – 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as one of the greatest composers in the history of We...
Wolfgang Amadeus Mozart (1756 – 1791) was a prolific
and influential composer of the Classical period.
Despite his short life, his rapid pace of composition
and proficiency from an early age resulted in more than
800 works representing virtually every Western
classical genre of his time. Many of these compositions
are acknowledged as pinnacles of the symphonic,
concertante, chamber, operatic, and choral repertoire.
Mozart is widely regarded as one of the greatest
composers in the history of Western music, with his
music admired for its "melodic beauty, its formal
elegance and its richness of harmony and texture". Born
in Salzburg, Mozart showed prodigious ability from his
earliest childhood. At age five, he was already
competent on keyboard and violin, had begun to compose,
and performed before European royalty.
"Der Hölle Rache kocht in meinem Herzen" ("Hell's
vengeance boils in my heart"), commonly abbreviated
"Der Hölle Rache", is an aria sung by the "Queen of
the Night", a coloratura soprano part, in the second
act of Mozart's opera The Magic Flute (Die
Zauberflöte). It depicts a fit of vengeful rage in
which the Queen of the Night places a knife into the
hand of her daughter Pamina and exhorts her to
assassinate Sarastro, the Queen's rival, else she will
disown and curse Pamina.
Memorable with its upper register staccatos, the
fast-paced and menacingly grandiose "Der Hölle Rache"
is one of the most famous of all opera arias. This rage
aria is often referred to as the Queen of the Night
aria, although the Queen sings another distinguished
aria earlier in the opera, "O zittre nicht, mein lieber
Sohn". The aria is written in D minor, and is scored
for pairs of flutes, oboes, bassoons, horns in F, and
trumpets, along with timpani and the string section.
This is a larger orchestra than for "O zittre nicht"
and comprises all the players from the opera as a
whole, except the clarinets and trombones.
Source: Wikipedia
(https://en.wikipedia.org/wiki/Queen_of_the_Night_aria)
.
Although originally composed for Soprano & Orchestra, I
created this arrangement of the Aria: "Der Hölle Rache
kocht in meinem Herzen" from "Die Zauberflöte" (K. 620
Act II No. 14) for Flute & Strings (2 Violins, Viola &
Cello).
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