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Wolfgang Amadeus Mozart (1756 – 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as one of the greatest composers in the history of We...
Wolfgang Amadeus Mozart (1756 – 1791) was a prolific
and influential composer of the Classical period.
Despite his short life, his rapid pace of composition
and proficiency from an early age resulted in more than
800 works representing virtually every Western
classical genre of his time. Many of these compositions
are acknowledged as pinnacles of the symphonic,
concertante, chamber, operatic, and choral repertoire.
Mozart is widely regarded as one of the greatest
composers in the history of Western music, with his
music admired for its "melodic beauty, its formal
elegance and its richness of harmony and texture". Born
in Salzburg, Mozart showed prodigious ability from his
earliest childhood. At age five, he was already
competent on keyboard and violin, had begun to compose,
and performed before European royalty.
The Magic Flute (Die Zauberflöte), K. 620, is an opera
in two acts by Wolfgang Amadeus Mozart to a German
libretto by Emanuel Schikaneder. The work is in the
form of a Singspiel, a popular form during the time it
was written that included both singing and spoken
dialogue. The work premiered on 30 September 1791 at
Schikaneder's theatre, the Freihaus-Theater auf der
Wieden in Vienna, just two months before the composer's
death. It was the last opera that Mozart composed. The
opera was an outstanding success from its first
performances, and remains a staple of the opera
repertory to this day.
In the Aria: "Alles fühlt der Liebe Freuden" (All feel
the joys of love), Pamina is asleep. Monostatos creeps
in and ogles her. He is about to kiss her, when the
Queen of the Night appears. Monostatos hides. Waking,
Pamina tells her that Tamino is joining Sarastro's
brotherhood and that she is thinking of accompanying
him. The aria portrays a lustful and somewhat sinister
desire for love, contrasting with the opera's overall
theme of pure love and enlightenment.
Source: Wikipedia
(https://en.wikipedia.org/wiki/The_Magic_Flute).
Although originally composed for Chorus & Orchestra, I
created this arrangement of the Aria: "Alles fühlt der
Liebe Freuden" (K.620 Act II No. 13) for Flute Duet
(Flute & Alto Flute).
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