Antonín Leopold Dvorák (1841 - 1904) was a Czech composer. Dvorák frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedrich Smetana. Dvorák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them," and he himself has been described as "arguably the most versatile... composer of his time". He displayed his musical gifts at an early age, being an apt violin student. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted scores of symphonies and other works to German and Austrian competitions. He did not win a prize until 1874, with Johannes Brahms on the jury of the Austrian State Competition. In 1877, after his third win, Brahms recommended Dvorák to his publisher, Simrock, who commissioned what became the Slavonic Dances, Op. 46. The sheet music's high sales and critical reception led to his international success. A London performance of Dvorák's Stabat Mater in 1883 led to many other performances in the United Kingdom, the United States, and eventually Russia in March 1890. The Seventh Symphony was written for London in 1885.

The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by Antonín DvoÅ™ák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of DvoÅ™ák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. “Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, DvoÅ™ák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.” The Op. 46 set is listed in the Burghauser catalogue as B. 78 in the original piano four hand version, and as B. 83 in the orchestral version. The Op. 72 set is catalogued as B. 145 in the piano four hand version, and as B. 147 in the orchestral version.

Prior to the publication of the Slavonic Dances, Op. 46, DvoÅ™ák was a relatively unknown composer and was of modest means. Consequently, he had applied for the Austrian State Prize fellowship (German "Stipendium") in order to fund his composing work. After he won the prize three times in four years (1874, 1876 and 1877), Johannes Brahms, as one of the members of the committee responsible for awarding the stipend, referred DvoÅ™ák to his own publisher, Fritz Simrock. The first of DvoÅ™ák's music to be published by Simrock was the Moravian Duets, which attained widespread success; encouraged, Simrock asked the composer to write something with a dance-like character.

Unsure how to begin, DvoÅ™ák used Brahms's Hungarian Dances as a model—but only as a model; there are a number of important differences between the two works. For example, whereas Brahms made use of actual Hungarian folk melodies, DvoÅ™ák only made use of the characteristic rhythms of Slavic folk music: the melodies are entirely his own. Simrock was immediately impressed by the music DvoÅ™ák produced (originally for piano four hands), and asked the composer for an orchestral version as well. Both versions were published within the year, and quickly established DvoÅ™ák's international reputation. The enormous success of the Op. 46 dances led Simrock to request another set of Slavonic Dances in 1886; DvoÅ™ák's subsequent Op. 72 dances met with a similar reception.

The types of dances upon which DvoÅ™ák based his music include the furiant, the dumka, the polka, the sousedská, the skočná, the mazurka, the odzemek, the špacírka, the kolo and the polonaise. Most of the Slavonic Dances make use of Czech dance patterns with the exception of dumka (Ukrainian), kolo (Serbian) and odzemek (Slovak).

Source: Wikipedia (https://en.wikipedia.org/wiki/Slavonic_Dances).

Although originally composed for Piano (4 Hands), I created this Arrangement of the Slavonic Dance VIII (Op. 46 B. 78 No. 8) in G Minor (Furiant) for Flute & Strings (2 Violins, Viola & Cello).