Free sheet music
My account (login)


Ugolino, Vito Vito Ugolino
Italia Italia 1750
2 sheet music
1 MP3

"For 20 years we provide a free and legal service for free sheet music.

If you use and like, thank you to consider support donation.

About / Member testimonies

Flute Sheet music Flute, Oboe, Violin & Cello Vito Ugolino
Ugolino, Vito: Concerto in G Major for Flute, Oboe & 2 Violins

Concerto in G Major for Flute, Oboe & 2 Violins
Gimo 297
Vito Ugolino

Annotate this sheet music
Note the level :
Note the interest :

ListenDownload MP3 : Concerto in G Major (Gimo 297) for Flute, Oboe & 2 Violins 12x 187x ViewDownload PDF : Concerto in G Major (Gimo 297) for Flute, Oboe & 2 Violins (9 pages - 246.64 Ko)47x

Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :

leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation

Log in or sign up for free
and participate in the community

Composer :Vito UgolinoVito Ugolino 1750
Instrumentation :

Flute, Oboe, Violin & Cello

Style :


Arranger :
Publisher :
Vito UgolinoMagatagan, Mike (1960 - )
Key :G major
Date :1760
Copyright :Public Domain
Virtually nothing is known of the life of Vito Ugolino (? - 1750) who was an Italian Composer from the Baroque period.

The Baroque era in music began in Italy around 1600 and lasted till about 1750. Before it came the Renaissance period, during which the concept of music had expanded from a single line of melody (the Gregorian plainchant of the Medieval age) to multiples lines which could be sung or played simultaneously, and fit together smoothly to make a harmonious whole.

There were two types of concertos which flourished during the Baroque era. The first of these, championed especially by Arcangelo Corelli, was the concerto grosso (‘large concerto’), which featured a small group of soloists — two violins and a cello, for example — as a contrast in texture with the full orchestra. The other kind of concerto was the solo concerto, which gave the limelight to just one instrument (most commonly a violin, but there are concertos for all manner of soloist — the oboe concertos by Alessandro Marcello and Tomaso Albinoni are especially beautiful).

One of the most important composers in the early development of the solo concerto was Antonio Vivaldi, who wrote more than 500 of them, for a wide range of solo instruments — mostly to be played by the highly talented girls at the Venetian orphanage where he was the director of music. As the Baroque era moved towards the Classical in the mid-18th century, it was the solo concerto, with its opportunities for virtuoso display and for song-like eloquence, which took over from the concerto grosso as the favoured form.

The word ‘Baroque’ wasn’t used until towards the end of the Baroque period, and at first it was intended as an insult! It comes from the Portuguese word barroco, which meant a misshapen pearl, and it was initially used to criticise this ‘modern’ music for its shameless use of new and strange effects in order to express moods and emotions.

Source: WikiPedia ( ).

Although originally composed for Mandolin, Violins and Basso Continuo, I created this Interpretation of the Concerto in G Major (Gimo 297) for Flute, Oboe & 2 Violins.
Source / Web :MuseScore
Added by magataganm the 2019-02-16

0 comment

Report problem

This sheet music is part of the collection of magataganm :
Flute Arrangements
Sheet music list :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› Quintet in F Major for Flute & Piano
› Élégie for Flute & Strings
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Woodwinds and String quintet
› "3 Gradualia" for Winds & Strings - Winds & String Orchestra
› "A Christmas Air" for Flutes & Harp - Flute and Harp
› "A Cup of Tea" Reel for Flute - Flute solo
› "A Dieu Celle" for Woodwind Sextet - Wind Sextet
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flute, Oboe, Harp

Cookies allow us to personalize content and ads, to provide social media-related features and analyze our traffic. We also share information on the use of our site with our social media partners, advertising and analytics, which can combine them with other information you have provided to them or collected in your use of their services.
Learn more and set cookiesClose