adblocktest
Free sheet music
My account (login)



LIBRARY

Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
6837 sheet music
7485 MP3
1316 MIDI







"For 18 years we provide a free and legal service for free sheet music.

If you use and like Free-scores.com, thank you to consider support donation.

About / Member testimonies


Bach, Johann Sebastian: Chorus: "Herr, gehe nicht ins Gericht mit deinem Knecht" for Flute, Harp & Strings

Chorus: "Herr, gehe nicht ins Gericht mit deinem Knecht" for Flute, Harp & Strings
BWV 105 No 1
Johann Sebastian Bach




Annotate this sheet music
Note the level :
Note the interest :


ListenDownload MP3 : Chorus: "Herr, gehe nicht ins Gericht mit deinem Knecht" (BWV 105 No 1) for Flute, Harp & Strings 7x 37x ViewDownload PDF : Chorus: "Herr, gehe nicht ins Gericht mit deinem Knecht" (BWV 105 No 1) for Flute, Harp & Strings (14 pages - 278.66 Ko)12x
 

 
Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :





leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation


Log in or sign up for free
and participate in the Free-scores.com community





Composer :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute, Harp and Strings

Style :

Baroque

Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
Herr, gehe nicht ins Gericht mit deinem Knecht (Lord, do not pass judgment on Your servant), BWV 105, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the ninth Sunday after Trinity and first performed it on 25 July 1723.

Bach composed the cantata in his first year in Leipzig for the Ninth Sunday after Trinity. The prescribed readings for the Sunday were from the Epistle to the Romans, a warning of false gods and consolation in temptation (1 Corinthians 10:6–13), and from the Gospel of Luke, the parable of the Unjust Steward (Luke 16:1–9). The opening lines of the cantata, by an unknown librettist, come from Psalm 143. The theme of the cantata is derived from the Gospel: since mankind cannot survive before God's judgement, he should forswear earthly pleasures, the mammon of unrighteousness, for the friendship of Jesus alone; for by His death mankind's guilt was absolved, opening up the everlasting habitations.

The cantata opens with a sombre harmonically complex orchestral prelude (adagio), with tortured chromatic modulations, suspended sevenths and a sighing, mournful motif in the violins and oboes. Similar chromaticism has been used elsewhere by Bach to illustrate the crucifixion, for example for the Crucifixus section of the Credo in the Mass in B minor and for the last stanza, "trug uns'rer Sünden schwere Bürd' wohl an dem Kreuze lange", in the choral prelude O Mensch, bewein dein Sünde groß, BWV 622. The chorus enters independently in polyphonic motet style over this rich orchestral texture. This is followed by a measured permutation fugue (allegro), initially for only the concertante singers and continuo, but eventually taken up by the whole ripieno choir, doubled by the orchestra. The short but expressive alto recitative is followed by one of Bach's most original and striking arias, depicting in musical terms the anxiety and restless desperation of the sinner. Over a background of repeated tremolo notes in the upper strings, the obbligato oboe and then the soprano interweave two highly ornate but tortuous melodic lines, their melismas and disturbing dissonances representing the troubled soul. The mood becomes hopeful in the following accompanied bass recitative, leading to the ecstatic and animated concerto-like aria for tenor, corno and strings, with rapid passagework for the first violins. The tremolo string motif returns in the final chorale. With each successive stanza, the tremolo gradually becomes less rapid, echoing the calming of man after conciliation with his Maker and bringing to an end what the musicologist Alfred Dürr described as one of "the most sublime descriptions of the soul in baroque and Christian art".


Although originally scored for four vocal soloists (soprano, alto, tenor and bass), a four-part choir, corno, two oboes, two violins, viola, and basso continuo, I created this arrangement for Flute, Concert (Pedal) Harp & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Sheet central :Herr, gehe nicht ins Gericht (4 sheet music)
Added by magataganm the 2019-07-03


0 comment



Report problem


This sheet music is part of the collection of magataganm :
Flute
flûte
Flute Arrangements
Sheet music list :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Woodwinds and String quintet
› "3 Gradualia" for Winds & Strings - Winds & String Orchestra
› "A Christmas Air" for Flutes & Harp - Flute and Harp
› "A Cup of Tea" Reel for Flute - Flute solo
› "A Dieu Celle" for Woodwind Sextet - Wind Sextet
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flute, Oboe, Harp
› "A Swiss Melody" for Flute Quartet - Flute Quartet
› "Abendlied" for Woodwind Quartet - Wind quartet




Cookies allow us to personalize content and ads, to provide social media-related features and analyze our traffic. We also share information on the use of our site with our social media partners, advertising and analytics, which can combine them with other information you have provided to them or collected in your use of their services.
Learn more and set cookiesClose