Josef Anton Bruckner (1824 – 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. His compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.

Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works.

His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick and other supporters of Johannes Brahms, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler.

Libera me (Deliver me), WAB 21, is the first of two settings of the absoute Libera me, composed by Anton Bruckner in c. 1843. Bruckner composed the motet during his stay in Kronstorf. The work was presumably performed at that time. The original manuscript is lost, but there are two good copies, one made by Max Auer (Kronstorf, 1903). The motet was first published in band I, pp. 243–248 of the Göllerich/Auer biography. It is put in Band XXI/3 of the Gesamtausgabe. The work is scored in F major for mixed choir and organ. In this youth work, two parts of the responsory are not included: the second "Quando caeli movendi sunt et terra" and the second "Dum veneris iudicare saeculum per ignem"

Source: Wikipedia (https://en.wikipedia.org/wiki/Libera_me,_WAB_21).

Although originally created for Mixed Chorus (SATB) & Organ, I created this Interpretation of "Libera me I" ("Deliver me" WAB 21) in F Major for Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).