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Pyotr Ilyich Tchaikovsky (1840 – 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin. Although musical...
Pyotr Ilyich Tchaikovsky (1840 – 1893) was a Russian
composer during the Romantic period. He was the first
Russian composer whose music made a lasting impression
internationally. Tchaikovsky wrote some of the most
popular concert and theatrical music in the classical
repertoire, including the ballets Swan Lake and The
Nutcracker, the 1812 Overture, his First Piano
Concerto, Violin Concerto, the Romeo and Juliet
Overture-Fantasy, several symphonies, and the opera
Eugene Onegin. Although musically precocious,
Tchaikovsky was educated for a career as a civil
servant as there was little opportunity for a musical
career in Russia at the time and no public music
education system. When an opportunity for such an
education arose, he entered the nascent Saint
Petersburg Conservatory, from which he graduated in
1865. The formal Western-oriented teaching Tchaikovsky
received there set him apart from composers of the
contemporary nationalist movement embodied by the
Russian composers of The Five, with whom his
professional relationship was mixed.
The Sleeping Beauty is a ballet in a prologue and three
acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66,
completed in 1889. It is the second of his three
ballets and, at 160 minutes, his second-longest work in
any genre. The original scenario was by Ivan
Vsevolozhsky after Perrault's La belle au bois dormant,
or The Beauty Sleeping in the Forest; the first
choreographer was Marius Petipa. The premiere took
place at the Mariinsky Theatre in St. Petersburg on
January 15, 1890, and from that year forward The
Sleeping Beauty has remained one of the most famous
ballets of all time.
Tchaikovsky based his work on Brothers Grimm's version
of Perrault's 'Dornröschen'. In that version, the
Princess's parents survive the 100-year sleep to
celebrate the Princess's wedding with the Prince.
However, Vsevolozhsky incorporated Perrault's other
characters from his stories into the ballet, such as
Puss in Boots, Little Red Riding Hood, Cinderella,
Bluebird, Bluebeard, Ricky of the Tuft and Tom Thumb.
Other French fairy tale characters to be featured are
Beauty and the Beast, Pretty Goldilocks and The White
Cat. Regardless, Tchaikovsky was happy to inform the
Director of the Imperial Theatre that he had great
pleasure studying the work and came away with adequate
inspiration to do it justice.
During Tchaikovsky’s lifetime the concept of a suite
remained unrealized. However, in December 1899, Pyotr
Jurgenson brought out a suite with five numbers for
large symphony orchestra (Op. 67-bis), under Aleksandr
Ziloti‘s editorship, and also in a two-hand
arrangement for piano by Eduard Langer. The Sleeping
Beauty Waltz is taken from act 1 No. 6 of the ballet,
and is one of those melodies we’ve all heard since we
were children, timeless in its beauty. It was famously
featured in Disney’s “The Sleeping Beauty”, where
Aurora waltzes along with her Prince to the piece.
Source: Wikipedia
(hhttps://en.wikipedia.org/wiki/The_Sleeping_Beauty_(ba
llet)).
Although originally composed for Orchestra, I created
this arrangement of "Sleeping Beauty Waltz" from the
"Sleeping Beauty Suite" (Op. 66a Act 1. No. 6) for
Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2
Violins, Viola, Cello & Bass).
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