Free sheet music
My account (login)


Bach, Johann Sebastian Johann Sebastian Bach
Germany Germany
(1685 - 1750)
7280 sheet music
7932 MP3
1576 MIDI

"For 20 years we provide a free and legal service for free sheet music.

If you use and like, thank you to consider support donation.

About / Member testimonies

Orchestra - band Sheet music Winds & String Orchestra Johann Sebastian Bach
Bach, Johann Sebastian: Chorale: "Herr Jesu Christ, wahr’ Mensch und Gott" for Small Orchestra

Chorale: "Herr Jesu Christ, wahr’ Mensch und Gott" for Small Orchestra
BWV 127 No 1
Johann Sebastian Bach

Annotate this sheet music
Note the level :
Note the interest :

ListenDownload MP3 (7.48 Mo)112x 303x ViewDownload PDF : Chorale: "Herr Jesu Christ, wahr’ Mensch und Gott" (BWV 127 No 1) for Small Orchestra (31 pages - 468.29 Ko)294x

Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access.

Please log in or create a free account so you can :

leave your comment
notate the skill level of this score
assign an heart (and thus participate in improving the relevance of the ranking)
add this score to your library
add your audio or video interpretation

Log in or sign up for free
and participate in the community

Composer :Johann Sebastian BachJohann Sebastian Bach (1685 - 1750)
Instrumentation :

Winds & String Orchestra

Style :


Arranger :
Publisher :
Johann Sebastian BachMagatagan, Mike (1960 - )
Copyright :Public Domain
Herr Jesu Christ, wahr' Mensch und Gott (Lord Jesus Christ, true Man and God), BWV 127, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Sunday Estomihi, the Sunday before Ash Wednesday, and first performed it on 11 February 1725. It is based on the chorale in eight stanzas by Paul Eber (1562).

Bach wrote the chorale cantata in his second year in Leipzig for Estomihi. The Sunday, also called Quinquagesima, is the last Sunday before Lent, when Leipzig observed tempus clausum and no cantatas were performed. In 1723, Bach had probably performed two cantatas in Leipzig on that Sunday, Du wahrer Gott und Davids Sohn, BWV 23, composed earlier in Köthen, and Jesus nahm zu sich die Zwölfe, BWV 22, both audition pieces to apply for the post of Thomaskantor in Leipzig.

The prescribed readings for the Sunday were taken from the First Epistle to the Corinthians, "praise of love" (1 Corinthians 13:1–13), and from the Gospel of Luke, healing the blind near Jericho (Luke 18:31–43). The Gospel also announces the Passion. The text is based on the funeral song in eight stanzas by Paul Eber (1562). The hymn suites the Gospel, stressing the Passion as well as the request of the blind man in the final line of the first stanza: "Du wollst mir Sünder gnädig sein" (Be merciful to me, a sinner). The song further sees Jesus' path to Jerusalem as a model for the believer's path to his end in salvation. An unknown librettist kept the first and the last stanza and paraphrased the inner stanzas in a sequence of recitatives and arias. Stanzas 2 and 3 were transformed to a recitative, stanza 4 to an aria, stanza 5 to a recitative, stanzas 6 and 7 to another aria.

Bach first performed the cantata on 11 February 1725. It is the second to last chorale cantata of his second annual cycle, the only later one being BWV 1 for the feast of Annunciation which was celebrated even if it fell in the time of Lent.

The opening chorale is structured by an extended introduction and interludes. These parts play on a concertante a motif derived from the first line of the chorale, but also have a cantus firmus of the chorale "Christe, du Lamm Gottes", the Lutheran Agnus Dei, first played by the strings, later also by the oboes and recorders. It appears in a similar way to the chorale as the cantus firmus in the opening chorus of his later St Matthew Passion, "O Lamm Gottes, unschuldig (de)". Its request "erbarm dich unser" (have mercy upon us) corresponds to the request of the blind man. A third chorale is quoted repeatedly in the continuo, "O Haupt voll Blut und Wunden". Christoph Wolff notes that on Good Friday of that year Bach would perform the second version of his St John Passion, replacing the opening and the closing movement of the first version by music based on chorales, "O Mensch, bewein dein Sünde groß" which would become the final movement of the first part of the St Matthew Passion, and again "Christe, du Lamm Gottes".

Bach chose a rare instrumentation for the first aria, the oboe plays a melody, supported by short chords in the recorders, in the middle section "Sterbeglocken" (funeral bells) are depicted by pizzicato string sounds. Movement 4 illustrates the Day of Judgement. On the text "Wenn einstens die Posaunen schallen" (When one day the trumpets ring out), the trumpet enters. The unusual movement combines an accompagnato recitative with an aria, contrasting the destruction of heaven and earth with the security of the believers, the latter given in text and tune from the chorale. John Eliot Gardiner describes it as a "grand, tableau-like evocation of the Last Judgement, replete with triple occurrences of a wild 6/8 section when all hell is let loose in true Monteverdian concitato ("excited") manner". He compares it to the "spectacular double chorus" from the St Matthew Passion "Sind Blitze, sind Donner in Wolken verschwunden".

The closing chorale is a four-part setting with attention to details of the text, such as movement in the lower voices on "auch unser Glaub stets wacker sei" (also may our faith be always brave) and colourful harmonies on the final line "bis wir einschlafen seliglich" (until we fall asleep contentedly).

Although originally scored for three vocal soloists (soprano, tenor and bass), a four-part choir, trumpet, two recorders, two oboes, two violins, viola and basso continuo, I created this arrangement for Piccolo, Flute, Oboe, Bb Clarinet, Bb Trumpet, Flugelhorn, Trombone, French Horn, F Tuba and Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Sheet central :Herr Jesu Christ, wahr' Mensch und Gott (3 sheet music)
Added by magataganm the 2014-10-30

0 comment

Report problem

This sheet music is part of the collection of magataganm :
Flute Arrangements
Sheet music list :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› Quintet in F Major for Flute & Piano
› Élégie for Flute & Strings
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Woodwinds and String quintet
› "3 Gradualia" for Winds & Strings - Winds & String Orchestra
› "A Christmas Air" for Flutes & Harp - Flute and Harp
› "A Cup of Tea" Reel for Flute - Flute solo
› "A Dieu Celle" for Woodwind Sextet - Wind Sextet
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flute, Oboe, Harp