for SSAA unaccompanied A simple and tender seeting of William Blake's famous poem, particularly suitable for younger voices.

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

Following the outstanding success of Feel the Spirit! this second Ken Burton collection will doubtless prove another sensation. Good News! is a superb introduction for all upper-voice choirs to the Gospel genre.

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

This setting of O Magnum Mysterium for double mixed voice choir is an ideal choice for Christmas services. Matthew Martin's soft yet intricate setting of the Matins Responsory for Christmas Day was written for Andrew Carwood and The Cardinall's Musick.  The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers Jonathan Rathbone Ben Parry & Mark Williams were long-standing members ofthe Swingle Singers.

A Hymn To The Virginfor unaccompanied chorus is one of Benjamin Britten's earliest works. It is in fact one of the earliest surviving pieces of church music written by the composer. The piece was first performed at a concert given by the Lowestoft Musical Society in St. John's Church on January 5 1931. The anonymous text was taken out of the Oxford Book of English Verse. This piece is written for unaccompanied SATB.

Cantate Domino (Psalm 96:1 3). This piece was originally written for male choir (BA 7416).By adding women’s voices the version for mixed choir presents a further dimension of colour. This version also makes it possible to divide the choir into two groups one for women and another for men and to have them sing either together or as separate units.This version for mixed choir (BA 7414) was premiered in Uppsala Cathedral (Sweden) on 26 October 2013 with the Uppsala Cathedral Singers conducted by Ulric Andersson.