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Eric Alfred Leslie Satie (1866 – 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his Gymnopédies and Gnossiennes. He also wrote music for a Rosicrucian sect to which he was...
Eric Alfred Leslie Satie (1866 – 1925), who signed
his name Erik Satie after 1884, was a French composer
and pianist. He was the son of a French father and a
British mother. He studied at the Paris Conservatoire,
but was an undistinguished student and obtained no
diploma. In the 1880s he worked as a pianist in
café-cabaret in Montmartre, Paris, and began composing
works, mostly for solo piano, such as his Gymnopédies
and Gnossiennes. He also wrote music for a Rosicrucian
sect to which he was briefly attached.
The Sarabandes are three dances for solo piano composed
in 1887 by Erik Satie. Along with the famous
Gymnopédies (1888) they are regarded as his first
important works, and the ones upon which his reputation
as a harmonic innovator and precursor of modern French
music, beginning with Debussy, principally rests. The
Sarabandes also played a key role in Satie's belated
"discovery" by his country's musical establishment in
the 1910s, setting the stage for his international
notoriety. French composer and critic Alexis
Roland-Manuel wrote in 1916 that the Sarabandes
represented "a milestone in the evolution of our
music...pieces of an unprecedented harmonic technique,
born of an entirely new aesthetic, which create a
unique atmosphere, a sonorous magic of complete
originality."
The sarabande is a dance in triple meter that
originated in the Spanish colonies of Central America
in the mid-1500s. It had migrated to Europe by the 17th
century, where in France it became a popular slow court
dance. Satie's modern reinterpretations consist of
three dances with a total duration of roughly 15
minutes: Sarabande No. 1 in Ab Major, Sarabande No. 2
in D# minor & Sarabande No. 3 in Bb minor.
The Sarabandes emerged at a point in Satie's life when
he was beginning to assert his independence as a man
and artist. In November 1886, the 20-year-old composer
dropped out of the Paris Conservatoire and enlisted in
the French army. His close friend and collaborator at
the time, the poet Contamine de Latour, claimed Satie
had persisted with his hated Conservatory courses only
so he could qualify for a student exemption that would
reduce his five years' compulsory military service to
one year in the reserves. Satie was duly assigned as a
reservist to the 33rd Infantry Regiment at the Citadel
in Arras, nicknamed La belle inutile ("The Useless
Beauty") for its fine architecture and lack of
strategic importance. But even this comparatively mild
duty proved too onerous for his liking. He sought to
make himself ill by sneaking out of his barracks at
night and strolling about bare-chested in the winter
air, with the result that he came down with a severe
case of bronchitis. By April 1887 he was back at his
family's home in Paris on a two-month medical
leave.
Source: Wikipedia
(https://en.wikipedia.org/wiki/Sarabandes_(Satie)).
Although originally written for Solo Piano, I created
this arrangement of the Tres Sarabandes (3 Sarabands)
for Flute & Strings (2 Violins, Viola & Cello)
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