Johann Sebastian Bach (21 mars 1685 - 28 juillet 1750), en français Jean-Sébastien Bach, est un compositeur, claveciniste, violoniste et organiste allemand.
Compositeur de l'époque baroque dont il symbolise et personnifie l'apogée, il eut une influence majeure et durable dans le développement de la musique occidentale ; de grands compositeurs, tels que Mozart et Beethoven, reconnurent en lui un maître du contrepoint insurpassable.
Il fut un musicien complet qui maîtrisait la facture des instruments tout autant que la technique instrumentale, la composition comme l'improvisation, la pédagogie comme la gestion d'une institution musicale.
Localement connu de son vivant comme organiste et improvisateur, sa musique fut toutefois vite oubliée après son décès, car passée de mode ; son ?uvre, à de rares exceptions près, manuscrite et jamais publiée, dispersée et en partie perdue, fut redécouverte et étudiée par les romantiques. (Rétracter)...(Lire la suite)
Tönet, ihr Pauken! Erschallet, Trompeten! (Resound, ye drums! Ring out, ye trumpets!), BWV 214,[a] is a cantata by Johann Sebastian Bach. He composed...
Tönet, ihr Pauken! Erschallet, Trompeten! (Resound, ye drums! Ring out, ye trumpets!), BWV 214,[a] is a cantata by Johann Sebastian Bach. He composed this cantata in 1733 to honor the 34th birthday of Maria Josepha, Queen of Poland and Electress of Saxony. It is also known as Glückwünschkantate zum Geburtstage der Königin (Congratulation cantata to the queen's birthday). It was first performed on 7 December 1733. The librettist of the text is unknown, but may have been Bach himself.
Parts of this secular work were reworked for Bach's Christmas Oratorio.
The opening chorus is a very long da capo form. Unusually for Bach, it opens with a timpani solo. The vocal lines are mostly homophonic or imitative – it is the instrumental forces that are the focus of the movement. Musicologist Julian Mincham notes that "the sweeping exhilaration of this movement is impossible to describe in words".
The tenor recitative conveys imagery of a thunderstorm and is followed by a soprano aria and recitative representing the "clashing of arms" and the battlefield. The alto aria, the only movement in the minor mode, includes a prominent oboe d'amore, while the following recitative is accompanied by chordal strings.
The bass da capo aria has a majestic obbligato trumpet line that underlines the "triumph, dignity and splendor" of the queen. The text focuses on the dual themes of fame and virtue. The penultimate movement is a bass recitative with a woodwind accompaniment. The piece ends with a dance-like chorus
The work features four vocal soloists: Bellona (soprano), Pallas (alto), Irene (tenor), and Fama (bass). It is also scored for a four-part choir, three trumpets, timpani, two flutes, two oboes, oboe d'amore, two violins, viola, cello, violone, and basso continuo.
Source: Wikipedia (https://en.wikipedia.org/wiki/T%C3%B6net,_ihr_Pauken!_Erschallet,_Trompeten!_BWV_214).
I created this arrangement of the opening Chorus: "Tönet, ihr Pauken! Erschallet, Trompeten!" (Resound, ye drums! Ring out, ye trumpets!) for Small Orchestra (3 Bb Trumpets, 2 Flutes, 2 Oboes, 2 Bb Clarinets, French Horn, Bassoon, Timpani, Violin, Viola, Cello & Bass).