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BIBLIOTHÈQUE
Haendel, Georg Friedrich Georg Friedrich Haendel
Allemagne Allemagne
(1685 - 1759)

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511 MIDI





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Haendel, Georg Friedrich: "Meine Seele hört im Sehen" for Flute, Oboe & Harpsichord

"Meine Seele hört im Sehen" for Flute, Oboe & Harpsichord
HWV 207
Georg Friedrich Haendel




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EcouterTélécharger MP3 : Audio principal (5.54 Mo)255x 1158x VoirTélécharger PDF : "Meine Seele hört im Sehen" (HWV 207) for Flute, Oboe & Harpsichord (4 pages - 142.7 Ko)1431x
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Meine Seele hört im Sehen for Flute, Oboe & Harpsichord
Télécharger MP3 (3.14 Mo) : (par Magatagan, Michael)291x 123x
Meine Seele hört im Sehen for Flute, Oboe & Harpsichord
Télécharger MP3 (5.75 Mo) : (par Magatagan, Michael)117x 94x



Compositeur :Georg Friedrich HaendelHaendel, Georg Friedrich (1685 - 1759)
Instrumentation :

Flūte, Hautbois, Piano

Genre :

Baroque

Arrangeur :
Editeur :
Georg Friedrich HaendelMagatagan, Mike (1960 - )
Date :1724-26
Droit d'auteur :Public Domain
Most music lovers have encountered George Frederick Handel through holiday-time renditions of the Messiah's "Hallelujah" chorus. And many of them know and love that oratorio on Christ's life, death, and resurrection, as well as a few other greatest hits like the orchestral Water Music and Royal Fireworks Music, and perhaps Judas Maccabeus or one of the other English oratorios. Yet his operas, for which he was widely known in his own time, are the province mainly of specialists in Baroque music, and the events of his life, even though they reflected some of the most important musical issues of the day, have never become as familiar as the careers of Bach or Mozart. Perhaps the single word that best describes his life and music is "cosmopolitan": he was a German composer, trained in Italy, who spent most of his life in England.

"Meine Seele hört im Sehen" (HWV 207) is the sixth of a set of nine songs that Handel wrote to the German-language texts of Barthold Heinrich Brockes from his collection Irdisches Vergnuegen in Gott (Contentment on Earth through God). The tone of the text is religious in an easygoing manner. All of these songs are in ABA form with vocal declamation that is lyrical, sometimes melismatic, and never virtuosic. The instrumentation of the accompaniment is flexible, and the performers are allowed to choose whichever instruments are appropriate and available for the continuo and instrumental obbligato.

The vocal line in this song, whose title translates as "My Soul Hears through Seeing, " holds forth in a pleasant duple meter over a "walking" bass line in the continuo. The text deals with the synesthesia of hearing things usually thought of as visual. The obbligato instrument sometimes answers the singer and sometimes harmonizes with him. The dotted rhythms of the obbligato instrument sometimes show up in the vocal part.

Although originally composed for Voice (Soprano) Strings & Continuo, I created this Arrangement for Flute, Oboe and Harpsichord.
Source / Web :Musescore
Ajoutée par magataganm le 2013-04-19


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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
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› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






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