Mendelssohn Bartholdy, Felix Felix Mendelssohn Bartholdy
Allemagne Allemagne
(1809 - 1847)

736 Partitions
369 MP3
170 MIDI

Instrumentations :
› Piano seul (6) Original
› 1 Piano, 4 mains (duo) (3)
› 2 pianos 4 mains (duo) (1)
› Violon et Piano (3)
› 2 Guitares (duo) (3)
› Guitare seule (solfčge) (2)
› Violoncelle et Piano (2)

Arrangeurs :
› Mendelssohn Bartholdy, Felix Original (3)
› Behrens, Ralf (13)
› Czerny, Carl (1)
› Dobrinescu, Ioan (1)
› Foden, William (1)
› Goltermann, Georg (1)
› Grützmacher, Friedrich (1)

Ses partitions:

Partitions Jazz pour Flute
Toutes les partitions de jazz pour flute.

"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez, merci d'envisager un don de soutien."

A propos / Témoignages de membres

› ›
Mendelssohn Bartholdy, Felix: "Funeral March" from "Lieder ohne Worte" for Flute & Strings

"Funeral March" from "Lieder ohne Worte" for Flute & Strings
Op. 62 No. 3
Felix Mendelssohn Bartholdy

Annoter cette partition
Notez le niveau :
Notez l'intérźt :

EcouterTélécharger MP3 : "Funeral March" from "Lieder ohne Worte" (Op. 62 No. 3) for Flute & Strings 8x 146x VoirTélécharger PDF : "Funeral March" from "Lieder ohne Worte" (Op. 62 No. 3) for Flute & Strings (2 pages - 132.96 Ko)36x

Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :

laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté

Compositeur :Felix Mendelssohn BartholdyMendelssohn Bartholdy, Felix (1809 - 1847)
Instrumentation :

Flūte et Quatuor ą cordes

Genre :


Arrangeur :
Editeur :
Felix Mendelssohn BartholdyMagatagan, Mike (1960 - )
Date :1844
Droit d'auteur :Public Domain
Far from the troubled, coarse libertine that has become an archetype of the Romantic composer, Felix Mendelssohn was something of an anomaly among his contemporaries. His own situation -- one largely of domestic tranquility and unhindered career fulfillment -- stands in stark contrast to the personal Sturm und Drang familiar to his peers. Mendelssohn was the only musical prodigy of the 19th century whose stature could rival that of Mozart. Still, his parents resisted any entrepreneurial impulses and spared young Felix the strange, grueling lifestyle that was the lot of many child prodigies. He and his sister Fanny were given piano lessons, and he also studied violin, and both joined the Berlin Singakademie.

The eminent German musicologist and Lieder scholar Karl Schumann once famously described Mendelssohn's Lieder ohne Worte (Songs without words) as not simply "Pillars of the piano repertoire," but rather as "a household possession, as widespread in Germany as the Grimm brothers' fairy tales, Ludwig Richter's pictures, or Uhland's poetry ... and no less beloved in Victorian England." But these works were an absolutely typical Germanic reaction to the world of Romantic miniaturism, and especially, the growing interest among composers to encapsulate the mood of the moment in a keyboard gem.

While it has become fashionable in critical circles to denigrate Mendelssohn's fragile sensibilities as little more than the manifestation of a kind of upper-class dilettantism, in his own way, he was actually far ahead of the field when it came to recognizing the future direction that music, especially the keyboard miniature, would take. In this regard, Mendelssohn anticipated the new expressive directions to be pursued by Schumann (whose wife, Clara, did much to popularize the Songs in the concert hall) and Liszt.

Of the six Lieder ohne Worte of the fifth volume, Op. 62, no fewer than three pieces were given descriptive titles. Interestingly, Goethe (along with von Schiller the central figure of the German Romantic literary movement) had written "music begins where words end." No doubt, however, he would have been among the first to agree that the sombre mood of Op. 62 No. 3 in E minor "Trauermarsch" (Funeral March) needs no semantic prop to convey its sorrowful message. No. 5 in A minor is one of three Lieder to have the title "Venezianisches Gondollied" (Venetian Gondola Song).

The concluding Lied ohne Worte of the Op. 62 group is one of the most famous of all piano miniatures. This is the A major "Frühlingslied" or "Spring Song." The remaining untitled pieces are Op. 62 No. 1 in G (Andante espressivo), No. 2 in B flat (Allegro con fuoco), and No. 4 in G (Allegro con anima). Finally, while these beguiling, some would say simplistic, pieces have sometimes been slighted as representative of the worst kind of Romantic kitsch, the critic Joan Chissell rightly reminds us that "without all these pieces, how much poorer our understanding would have been of the impressionable heart behind the master-craftsman's faēade."

Source: AllMusic ( ds-6-for-piano-book-5-op-62-mc0002379890 ).

Although originally composed for Piano, I created this Interpretation of the "Funeral March" from "Lieder ohne Worte" (Op. 62 No. 3) for Flute & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2018-11-17
Partition centrale :Romances sans paroles - Livre 5, 62 (47 partitions)

0 commentaire


Cette partition est associée ą la collection de magataganm :
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent


Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux

Les cookies nous permettent de personnaliser le contenu et les annonces, d'offrir des fonctionnalités relatives aux médias sociaux et d'analyser notre trafic. Nous partageons également des informations sur l'utilisation de notre site avec nos partenaires de médias sociaux, de publicité et d'analyse, qui peuvent combiner celles-ci avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services.
Pour en savoir plus et paramétrer les cookiesFermer