Le Clavier bien tempéré I - BWV 846-869

INSTRUMENTATIONS :
PIANO
› Piano seul 97
› Orgue seul 14
› 1 Piano, 4 mains (duo) 1
› Piano et Cordes 1
GUITARE
› 2 Guitares (duo) 50

+ 51 instrumentations

ARRANGEURS :
› Bach, Johann Sebastian Original 54
› BENOIST, Régis 2
› Cervellin, Marco 1
› Cornu, Philippe 1
› Durand, Patrice 1

+25 arrangeurs

Compositeurs

Membres Historiques Tous

Objets cadeaux
Bach, Johann Sebastian

Voir aussi la boutique partitions de
Bach, Johann Sebastian

Livraison mondiale

"Depuis 20 ans nous fournissons un service libre et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Partitions Flute ⮞ Flute et Harpe ⮞ Johann Sebastian Bach

Bach, Johann Sebastian: Prelude in G# Minor for Flute & Harp

Prelude in G# Minor for Flute & Harp
BWV 863 No. 1
Johann Sebastian Bach

Flute et Harpe

Niveau :

Évaluer :

Playlist

VoirTélécharger PDF : Prelude in G# Minor (BWV 863 No. 1) for Flûte & Harp (5 pages - 141.81 Ko)33x⬇

VoirTélécharger PDF : Flûte (63.99 Ko)

VoirTélécharger PDF : Harpe (77.27 Ko)

VoirTélécharger PDF : Conducteur complet (106.35 Ko)

FERMER

Connectez-vous gratuitement
et participez à la communauté Free-scores.com :

attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
laisser votre commentaire
noter le niveau et l'intérêt de la partition
ajouter cette partition dans votre musicothèque
ajouter votre interprétation audio ou video

Ne plus revoir cette fenêtre pour la durée de cette session.

Télécharger MP3 : Prelude in G# Minor (BWV 863 No. 1) for Flute & Harp 7x⬇ 76x

VIDEO

AJOUTER MP3

Vidéo

Compositeur	Johann Sebastian Bach (1685 - 1750)
Partition centrale	Le Clavier bien tempéré I, 846-869 (285 partitions)
Instrumentation	Flute et Harpe
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - ) Suivre 102 Contacte Faire un don
Tonalité	Sol♯ mineur
Droit d'auteur	Public Domain
The Well-Tempered Clavier is two sets of preludes and fugues for keyboard. Each set consists of twenty four preludes and fugues in all of the major and minor keys in ascending order. They were published in two separate "books," Book I, which was composed in 1722, and Book II, composed in 1744. The title of the work refers to a then new system of tuning, called equal temperament, in which an octave was divided into twelve equal intervals. This method of tuning replaced an earlier one called meant...(+) The Well-Tempered Clavier is two sets of preludes and fugues for keyboard. Each set consists of twenty four preludes and fugues in all of the major and minor keys in ascending order. They were published in two separate "books," Book I, which was composed in 1722, and Book II, composed in 1744. The title of the work refers to a then new system of tuning, called equal temperament, in which an octave was divided into twelve equal intervals. This method of tuning replaced an earlier one called meantone tuning, in which the key of C major and those near it were purely intonated, while keys with many sharps or flats would be out of tune. In the meantone system, each tone and semitone is subtly different, while the equal tempered system eschewed perfect intonation for an equal division of the octave, such that each tone and semitone was equal. Bach certainly recognized the value of such a system--it allowed for greater freedom of modulation and use of chromaticism--and his Well-Tempered Clavier served as an effective promotion of this new tuning method. It is a vivid demonstration of the flexibility and practicality of the equal or "well" tempered keyboard. It is also an example of Bach's compositional genius and good taste: as his first biographer Johann Forkel noted, despite its perfectly idiomatic music and attention to specific technical issues, Bach likely composed this work away from the keyboard while on a trip with his patron, Prince Leopold. Like many of Bach's great pedagogical works, the Well-Tempered Clavier is a collection of pieces whose musical value is as great as their instructional value. Each piece tests different techniques and addresses different technical challenges; however, Bach is careful not to sacrifice musicality for pedagogy, so that fugal subjects are simple yet interesting, motives are tastefully developed, and melodic lines are supple and shapely. There is no paucity of purely musical ideas in this work. Book II, composed some twenty-two years after the first, is noticeably less pedagogical in its emphasis, and is obviously addressed to the accomplished player rather than the "Musical youth" described on the title page of Book I. Book II also does not, in the printed score, make a point of equal temperament: by 1744, this new system was no longer new, and no longer required Bach's advocacy. One might expect this prelude and fugue that follow those in A flat major to be in A flat minor; Bach, however, prefers to label the key G sharp minor -- essentially the same thing, although the ears of Bach's time, accustomed to the vagaries of other tuning systems, would have anticipated a slight difference in character between the two. The prelude flows and rolls smoothly through a three-voice texture; the fugue employs a somewhat menacing, or at least mysterious, theme quite contrasting with the good-natured prelude. Structurally it's a straightforward piece in four voices, the subject arriving first in the tenor, then alto, soprano, and bass. Source: Allmusic (http://www.allmusic.com/composition/prelude-and-fugue- for-keyboard-no-18-in-g-sharp-minor-wtc-i-18-bwv-863-bc -l97-mc0002362880). Although originally written for Harpsichord. I created this Arrangement of the Prelude in G# Minor (BWV 863 No. 1) for Flute & Concert (Pedal) Harp.
	Ajoutée par magataganm, 23 Jui 2023