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BIBLIOTHÈQUE
Morley, Thomas Thomas Morley
Royaume-Uni Royaume-Uni
(1557 - 1602)

33 Partitions
42 MP3
20 MIDI





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Morley, Thomas: "Strike It Up, Tabor" for Flute Trio

"Strike It Up, Tabor" for Flute Trio
Thomas Morley



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Compositeur :Thomas MorleyMorley, Thomas (1557 - 1602)
Instrumentation :

3 flūtes (trio)

Genre :

Renaissance

Arrangeur :
Editeur :
Thomas MorleyMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Thomas Morley (1557 or 1558 – October 1602) was an English composer, theorist, editor and organist of the Renaissance, and the foremost member of the English Madrigal School. He was the most famous composer of secular music in Elizabethan England and an organist at St Paul's Cathedral. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare.

Morley was born in Norwich, in East England, the son of a brewer. Most likely he was a singer in the local cathedral from his boyhood, and he became master of choristers there in 1583. However, Morley obviously spent some time away from East England, for he later referred to the great Elizabethan composer of sacred music, William Byrd, as his teacher; while the dates he studied with Byrd are not known, they were most likely in the early 1570s. In 1588 he received his bachelor's degree from Oxford, and shortly thereafter was employed as organist at St. Paul's in London. His young son died the following year in 1589.

In 1588 Nicholas Yonge published his Musica transalpina, the collection of Italian madrigals fitted with English texts, which touched off the explosive and colorful vogue for madrigal composition in England. Morley obviously found his compositional direction at this time, and shortly afterwards began publishing his own collections of madrigals (11 in all).

In addition to his madrigals, Morley wrote instrumental music, including keyboard music (some of which has been preserved in the Fitzwilliam Virginal Book), and music for the broken consort, a uniquely English ensemble of two viols, flute, lute, cittern and bandora, notably as published by William Barley in 1599 in The First Booke of Consort Lessons, made by diuers exquisite Authors, for six Instruments to play together, the Treble Lute, the Bandora, the Cittern, the Base-Violl, the Flute & Treble-Violl.

Although this work was likely created for Recorder and Tabor (Drum), I created this arrangement for Flute Trio.
Source / Web :MuseScore
Ajoutée par magataganm le 2013-06-27



1 commentaire


Par spr, a 11:40


*Strike it up, Tabor* is generally, and authoritatively, attributed to Thomas Weelkes, not Thomas Morley...
magataganm PropriƩtaire, 08 Jun 2017 a 11:44
Thank you! Can you please provide a documentation reference and I will change the attribution and description. A URL to the source you reference would be great. Thanks!
ce commentaire est-il utile ? Yes (6)   No (4)

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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






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