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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6796 Partitions
7449 MP3
1276 MIDI


Instrumentations :
CHANT - CHORALE
› Choeur SATB, Piano (2) Original
› Choeur SATB, Orchestre (1) Original
› Choeur SATB, Soliste (1) Original
› Voix et Orgue (2)
› Choeur SATB, Orgue (1)
› Choeur SSA et orgue (1)
› Choeur SATB a cappella (1)

Arrangeurs :
› Bach, Johann Sebastian Original (2)
› Behrens, Ralf (48)
› Bergeron, Guy (4)
› cecilio vittar, cecilio (1)
› Dewagtere, Bernard (23)
› Donze, Dominique (1)
› John, Elliott (1)

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Collection Take the Lead pour Flute
Partitions solos pour flute avec CD pour jouer accompagné.



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Bach, Johann Sebastian: "Jesu, Joy of Man

"Jesu, Joy of Man's Desiring" for Woodwind Trio
BWV 147
Johann Sebastian Bach




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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Trio ą vent

Genre :

Noel

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Titre alternatif :Herz und Mund und Tat und Leben
Johann Sebastian Bach's sacred Cantata No. 147 "Herz und Mund und Tat und Leben" ("Heart and Mouth, Deeds and Life"), was written for the feast of the Visitation of the Virgin Mary and first performed in its final definitive form in Leipzig to mark the feast day, July 2, 1723. Much of the work originated during the composer's tenure as Konzertmeister in Weimar, where upon his appointment in 1714 he also assumed responsibility for the provision of a new cantata each month for services held in the Duke's chapel. In its earliest form (BWV 147a), this cantata was intended to be given on the fourth Sunday of Advent, 1716. This version contained four main arias and an opening chorus, but no recitative sections, three of which were added later, along with the great chorale, which brings each of the main sections to its close. The autograph of the Leipzig version survives intact, but all except the opening movement of the first version has perished. Interestingly, the composer's original design for the Advent feasts at Weimar would have been considered entirely unsuitable by the church authorities in Leipzig, who had forbidden the performance of all concert music during this period of the liturgical year. Bach managed to overcome this restriction by incorporating references to the "Magnificat" (Luke 1: 39-56) into the score, thus tailoring the cantata specifically to the Feast of the Visitation.

The final version begins with an elaborate chorus in C major, in which the celebratory tone is established by the fanfare-like opening section for orchestra. Part I concludes with the famous chorale known in English as "Jesu, Joy of Man's Desiring." Jesu, Joy of Man's Desiring is the most common English title of the 10th movement of the cantata.

Although it is the 32nd surviving cantata that Bach composed, it was assigned the number BWV 147 in the complete catalogue of his works. Bach wrote a total of 200 cantatas during his time in Leipzig, largely to meet the Leipzig Churches' demand for about 58 different cantatas each year.

Contrary to the common assumption, the violinist and composer Johann Schop, not Bach, composed the movement's underlying chorale melody, Werde munter, mein Gemüthe; Bach's contribution was to harmonize and orchestrate it. The frequent use of arrangements of the piece in modern weddings is in no way related to its scope or Bach's intent for it. Rather, it was one segment of an extended, approximately 20-minute treatment of a traditional Church hymn, as is typical of cantatas of the Baroque period.

Although originally composed as a choral cantata, I created this arrangement for Woodwind trio (Flute, Oboe and Bassoon).
Source / Web :MuseScore
Ajoutée par magataganm le 2012-12-03
Partition centrale :Herz und Mund und Tat und Leben (Jésus que ma joie demeure), 147 (113 partitions)



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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






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