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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6808 Partitions
7461 MP3
1289 MIDI



Arrangeurs :
› Bach, Johann Sebastian Original (1)
› Gawol, Peter (1)
› Heidtmann, Klaus (1)
› MACHELLA, MAURIZIO (3)
› Magatagan, Mike (17)
› Non attribuées (28)

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Bach, Johann Sebastian: Concerto in G Minor for Flute & Harp

Concerto in G Minor for Flute & Harp
BWV 985
Johann Sebastian Bach




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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute et Harpe

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Tonalité :Sol mineur
Droit d'auteur :Public Domain
Johann Sebastian Bach (1685 – 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which approximately two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth

The first documented evidence of Bach's engagement with the concerto genre can be dated to around 1709, during his second period in Weimar, when he made a hand copy of the continuo part of Albinoni's Sinfonie e concerti a 5, Op. 2 (1700). Earlier compositions had been brought back to Weimar from Italy by the deputy Capellmeister, Johann Wilhelm Drese, during his stay there in 1702–1703. In 1709 the virtuoso violinist Johann Georg Pisendel visited Weimar: he had studied with Torelli and is likely to have acquainted Bach with more of the Italian concerto repertoire. In the same year Bach also copied out all the parts of the double violin concerto in G major, TWV 52:G2, of Georg Philipp Telemann, a work that he might have acquired through Pisendel. Bach would also have known Telemann well then since he was court musician at Eisenach, Bach's birthplace. Telemann's concerto for solo violin, TWV 51:g1, transcribed by Bach for harpsichord as BWV 985, comes from the same series of Eisenach concertos as the double violin concerto; moreover, as explained in Zohn (2008), there is evidence that the slow movement of Telemann's oboe concerto TWV 51:G2, also from the series, was borrowed and adapted by Bach for the opening sinfonia of the cantata Ich steh mit einem Fuß im Grabe, BWV 156 and the slow movement of the harpsichord concerto in F minor, BWV 1056, both dating from his period in Leipzig. Telemann also had a documented social connection with Bach: in March 1714 he was godparent at the baptism in Weimar of Bach's second son Carl Phillip Emanuel.

Bach composed his Concerto for Keyboard in G Minor (BWV 985) after Georg Philipp Telemann's Violin Concerto (TWV 51:g21).

Source: Wikipedia (https://en.wikipedia.org/wiki/Concerto_transcriptions_ for_organ_and_harpsichord_(Bach)).

Although originally written for Harpsichord, I created this Interpretation of the Concerto in G Minor (BWV 985) for Flute & Concert (Pedal) Harp.
Source / Web :MuseScore
Ajoutée par magataganm le 2017-06-29
Partition centrale :16 concertos pour clavecin solo d'aprčs divers compositeurs, 972-987 (23 partitions)

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Cette partition est associée ą la collection de magataganm :
flûte
flûte
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› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
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› "Abendlied" for Woodwind Quartet - Quatuor ą vent





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