The concerto transcriptions of Johann Sebastian Bach
date from his second period at the court in Weimar
(1708–1717). Bach transcribed for organ and
harpsichord a number of Italian and Italianate
concertos, mainly by Antonio Vivaldi, but with others
by Alessandro Marcello, Benedetto Marcello, Georg
Philipp Telemann and the musically talented Prince
Johann Ernst of Saxe-Weimar. It is thought that most of
the transcriptions were probably made in 1713–1714.
Their publication by C.F. Peters in th...(+)
The concerto transcriptions of Johann Sebastian Bach
date from his second period at the court in Weimar
(1708–1717). Bach transcribed for organ and
harpsichord a number of Italian and Italianate
concertos, mainly by Antonio Vivaldi, but with others
by Alessandro Marcello, Benedetto Marcello, Georg
Philipp Telemann and the musically talented Prince
Johann Ernst of Saxe-Weimar. It is thought that most of
the transcriptions were probably made in 1713–1714.
Their publication by C.F. Peters in the 1850s and by
Breitkopf & Härtel in the 1890s played a decisive role
in the Vivaldi revival of the twentieth century.
In this, the Keyboard Concerto no. 11 in B-flat Major
(BWV 982) Bach created a transcriptiion after the No.1
of the 6 Violin Concertos, Op.1, by Prince Johann Ernst
of Saxe-Weimar.
Source: Wikipedia
(https://en.wikipedia.org/wiki/Concerto_transcriptions_
for_organ_and_harpsichord_(Bach))
Although originally written for Harpsichord. I created
this Arrangement of the Concerto in Bb Major (BWV 982)
for Mandolin & Classical Guitar.
PARTITION