16 Chorals for the Developing Choir of Any Age. Par GILPIN GREG. Unison singing is one of the first things learned in the choral art. This unique song collection contains 16 chorals that can be used all year long with a variety of themes: Multicultural/Language, Christmas/Holiday, Folk/Spiritual, Inspirational, Patriotic, and Words of Distinction. Online access to full performance and accompaniment only audio recordings is available, along with PDFs for singers and instrumental parts. / Date parution : 2023-06-01/ Recueil / Voix à L'Unisson

Acht Weihnachtslieder in deutscher Ubersetzung (Eight carols in German translation). Par RUTTER JOHN. for SATB and piano or organ For countless singers and listeners, the carols of John Rutter form the quintessential repertoire of any Christmas concert or service. This selection includes eight of Rutter's most popular carols in German translation, together with a full list of orchestral accompaniments available on hire and sale. / Date parution : 2023-06-01/ Répertoire / SATB et Piano ou Orgue

(To every thing there is a season). Par RUTTER JOHN. for SATB and piano or chamber orchestra John Rutter sets this timeless and beloved text from Ecclesiastes with a gently flowing melody. The result is a simple and lovely general anthem that perfectly encapsulates the paired images of the text. / Date parution : 2023-06-01/ Répertoire / SATB et Piano ou Orchestre

Par RUTTER JOHN. for SATB and piano or orchestra This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment. / Date parution : 2023-06-01/ Répertoire / SATB et Piano ou Orchestre

Par RUTTER JOHN. for SATB and piano A lilting 3/4 metre carries the listener through this familiar Christmas story, beautifully depicted in a text by the composer. Rutter employs artful word-painting throughout, and the verse-refrain structure enables the compelling melody to soon become as familiar as any traditional carol of the season. / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra

Interpretations of Schubert. Par SCHUBERT FRANZ / CHING MICHAEL (Arr.). Commissioned by the ARK Trio, these settings interact with famous Schubert songs in respectful or mischievous ways. / Date parution : 2023-06-01/ Répertoire / Soprano, Violoncelle et Piano

per coro e 17 strumenti (2020). Par FRANCESCO FILIDEI. / Date parution : 2023-06-01/ Répertoire / Choeur et Instruments

Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ?symphony for chorus and orchestra?? First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ?Everything which has breath, Praise the Lord?; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices.' / Date parution : 2023-06-01/ Répertoire / Solistes [SST], SSAATB et Orchestre

Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Piano

Par BIZET GEORGES. As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic ?Te Deum laudamus?, to the skillful choral fugue of ?Fiat misericordia tua?, and the opening's powerful recapitulation, the composition shows no trace of the difficulties that beset the young Bizet by his own admission before he finally completed the work in 1858.In the extensive trilingual preface to this Urtext edition, editor Marc Rigaudière illuminates the circumstances surrounding the composition of the Te Deum, a work which occupies a singular position in Bizet?s ?uvre. The edition is based on the composer?s autograph score ? the work's only surviving source. For the first time, this work is available with all performance parts. / Date parution : 2023-06-01/ Répertoire / Solistes [ST], SATB et Orchestre

Par REGER MAX. Die Drei Chören (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on August 1, 1892: 'I will send the choruses op. 6 ? which your son liked very much ? to you tomorrow morning [...]'. George Augener had spent five weeks from undergoing treatment in Wiesbaden and had met on this occasion not only Hugo Riemann but also his 'favorite pupil' Reger. After the publication, the Allgemeine Musik-Zeitung remarked on the 'entirely Brahmsian character to the work'. It praised its polyphonic structure and its'romantic chiaroscuro [...], the effect of which the accompanying piano knows how to exalt excellently'. The work was nevertheless to remain Reger's only composition for this instrumentation.Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works. / Date parution : 2023-06-01/ Répertoire / SATB et Piano