Description This short cantata, set in a jazz idiom, makes an ideal end-of-term concert which should be performed strictly for fun! Scored for unison voices with up to four short solos, piano accompaniment plus guitar chords. The chorus gives enthusiastic youngsters the opportunity to growl as the lions in the den and click fingers to the blues! The now famous series of Novello pop cantatas originated from this well-known work. Words by Vachel Lindsay.

A free-and-easy style of performance is appropriate for this extremely popular cantata-musical about Jonah and the whale. The score is for unison voices narrator and piano (with chord symbols). There are opportunities for a suitable group of jazz instrumentalists to use the piano score as the basis for improvisation and there's even hand clapping and finger clicking for the singers!

Description Following on the success of her two operatic works for children and teens ? Douce et Barbe Bleue, Les Fables Enchantées, Little Thummie and Cendrillon (based on Perrault), as well as the adaptation of Maupassant?s short story The Dumpling (2014) ? Isabelle Aboulker once again hits the bull?s eye with Myla And The Boat-Tree, a commission from the Villecroze Music Academy. In 2015, this musical tale for Narrator, Children?s Choir and Instrumental Accompaniment, was awarded the ?Music for Young Performers Prize? by the French Music Publishers Association. Both in the French version and Marci Meth?s excellent English translation, it provides the material for an enthralling educational adventure in which children between the ages of five and eight are invited into their first experience of opera and choir singing. With her trademark finesse and sensitivity, the composer tells the story of a little girl dealing with the death of a person she?d cherished above all: her grandfather. Written for choir in unison, this tale wafts shimmering melodies over an instrumental accompaniment suffused in turn with gentle melancholy and light humour. An art that speaks from an open heart. The work was written in three versions: for Narrator, Children?s Choir and Piano (AL30732) for Narrator, Children?s Choir and Trio (Clarinet in Bb, Cello and Piano: AL30733) for Narrator, Children?s Choir and Instrumental Ensemble (Flute, Oboe, Clarinet in Bb, Bassoon, Horn, Trumpet in C, Trombone, Percussion, 2 Violins, Alto, Cello, Bass: AL30734) Choral score: AL30743

Volume 2-Sing on Sight is a comprehensive sight-singing method by Audrey Snyder. Volume Two builds on the skills established in Volume One and moves step by step to full choral sight-singing. The recorded accompaniments include awide variety of styles from classical to contemporary and folk music to pop and jazz. Exercises are written so that two or more lines may be sung simultaneously so students gain sight-singing independence and develop theirpart-singing skills. With just a few minutes a day Sing on Sight can help your choirs learn to read music and have fun in the process! Student and Teacher Editions available separately: both Unison/2-Part Treble and2-Part/3-Part Mixed. Accompaniment CD (coincides with both voicings) also available. Classroom Kits include 25 Student Books 1 Teacher Edition and 1 Accompaniment CD.

Description The captivating music and message found in this Broadway hit continue to enchant singers and audiences across the country. Introduce your beginning singers to the music of Wicked with this value-packed collection of songs and professionally-produced recordings perfect for classroom or stage - in school or out. These favourites from Wicked have been arranged especially for young singers with optional harmonies for added! Suggested for grades 4-8. Songlist Defying Gravity For Good One Short Day Popular What Is This Feeling?

Twenty charming and inventive carols for unison singing and piano reduction. The harmonies in the piano accompaniment complement the diatonic melodies. Full Score and Instrumental parts on hire. Key Stage 3, 4. / Choeur Unison Et Piano

Chaque verset de ce mélodie modale est définie sur une texture qui l'accompagne différente. La gamme vocale est facilement accessible au refrain de début. L'innocence du texte couplé avec le caractère simple, folk-comme les résultats de la mélodie dans une berceuse charmante. / Choeur A L'Unisson Et Piano

C'est une berceuse douce dans le style traditionnel de gaélique. L'harmonie modale ondule entre la tonique et le septième aplati. La partie instrumentale obligato peut être jouée sur les flûte, hautbois ou uilleann pipes. La mélodie se retrouve aussi dans les sources irlandaises, comme un violon tune avec le titre and ldquo-bascule le berceau. and rdquo - / Voix (Unisson), En Partition Flûte Traversière Et Hautbois

'I ask for one day where I don't have to hear about pain, or life that's lost, I ask for one day where whispers of hope are alive inside my heart.? These words, written by 5th graders in a writing workshop, moved the composer to create this inspiring work. / Choeur Mixte

This meditation on stillness begins with gentle guidance in quieting the mind, continuing to lead the soul toward serenity and light, with the assurance that true knowledge is not to be found in the external world but in one's own calmly abiding consciousness. This music offers many points of discussion for the young choir. / Choeur Et Piano