adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6808 Partitions
7461 MP3
1289 MIDI





Cadeaux pour Trompettistes
Visitez la boutique d'idées cadeaux pour les amoureux de la trompette.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Bach, Johann Sebastian: Chorale: "Lob, Ehr und Dank sei dir gesagt" for Brass Quartet

Chorale: "Lob, Ehr und Dank sei dir gesagt" for Brass Quartet
BWV 121 No 6
Johann Sebastian Bach



Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 : Chorale: "Lob, Ehr und Dank sei dir gesagt" (BWV 121 No 6) for Brass Quartet 40x 351x VoirTélécharger PDF : Chorale: "Lob, Ehr und Dank sei dir gesagt" (BWV 121 No 6) for Brass Quartet (1 page - 95.7 Ko)267x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Quatuor de Cuivres

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Copyright © Mike Magatagan
Christum wir sollen loben schon (We should already be praising Christ), BWV 121, is a church cantata by Johann Sebastian Bach. He composed this Christmas cantata in Leipzig in 1724 for the second day of Christmas and first performed it on 26 December 1724. The chorale cantata is based on the hymn by Martin Luther, and the librettist is unknown.

The source for the melody is Martin Luther's setting of the hymn "Christum wir sollen loben schon", a German translation of the Latin "A solis ortus cardine" (c. 430). The opening chorus is its first verse and the closing chorale is its eighth verse, both unchanged. The hymn's other verses are freely adapted as madrigalian recitatives and arias.

The opening choral motet is built on a quasi-church mode cantus firmus in the soprano, with an archaic effect underscored by a full four-part brass accompaniment. The instruments, other than the continuo, largely double the vocal lines; these and the continuo assume a contrapuntal role. Bach uses fugal techniques and an extended final cadence. It begins in E minor and, unusually, closes a tone higher in F-sharp minor.

The tenor aria is composed as a modern da capo aria, in which the symmetrical scheme is broken up by irregular periodising and harmonization. It includes a very prominent oboe d'amore part. The movement is largely in B minor. Craig Smith remarks that the aria is "marvelously off-kilter".

The third movement is an alto recitative. It ends with a "startling enharmonic progression – a symbolic transformation" to C major.

The bass aria is almost dance-like, playing with the harmony and portraying jumps, reflecting the movement's text's references to John the Baptist's jumping in his mother's womb during the Visitation of Mary. The binary-form string ritornello repeats four times during the aria, framing three separate vocal sections of the da capo aria.

The penultimate movement is a soprano recitative, short and arioso-like. It is remarkable for its extended range.

The closing chorale movement presents the doxology in a four-part setting, illuminating the early-church melody in a modern major-minor tonality. Unusually, the piece ends on a B minor imperfect cadence.

The piece is scored for alto, tenor and bass vocal soloists with four-part choir. The instrumental parts are cornett, three trombones, oboe d'amore, two violins, viola, and basso continuo.

Source: Wikipedia (https://en.wikipedia.org/wiki/Christum_wir_sollen_lobe n_schon,_BWV_121).

I created this arrangement of the closing Chorale: "Lob, Ehr und Dank sei dir gesagt" (Praise, honor, and thanks be said to You) for Brass Quartet (Bb Trumpet, Flugelhorn, French Horn & Euphonium).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-11-13
Partition centrale :Christum wir sollen loben schon, 121 (6 partitions)


0 commentaire



Signaler

Cette partition est associée à la collection de magataganm :
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Liste des partitions :
› "A Che Più Strali" for Brass Ensemble - Quatuor de Cuivres
› "Are You Sleeping?" for Steel Orchestra - Ensemble de Percussion
› "Benedictus" from the Mass in B Minor for Mandolin & Guitars
› "Cádiz (Canción)" from the Suite "Española" for Cello & Guitar
› "Der Geist hilft unser Schwachheit auf" for Double String Quartet - Quatuor à cordes
› "Domino Clasula" for String Quartet - Quatuor à cordes
› "Etude" from "12 Morceaux" for Marimba Duet
› "Every Valley Shall Be Exalted" for Steel Orchestra - Ensemble de Percussion
› "Fanfare for a King" for Trumpet Quartet
› "Fanfare-Rondeau"for Steel Orchestra - Ensemble de Percussion






Boutiques pour TROMPETTE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux