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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6808 Partitions
7461 MP3
1288 MIDI


Instrumentations :
PIANO
› Piano seul (1) Original
› Clavier (piano, clavecin ou orgue) (1) Original
ORGUE
› Orgue seul (34)
FLUTE A BEC
› Flûte à bec SATB (4)
› Flutes a bec ATB et Violoncello (1)
TROMPETTE
› Quatuor de Cuivres (3)
› Quintette de Cuivres (1)

Arrangeurs :
› Bach, Johann Sebastian Original (2)
› Bizjak, Milko (2)
› Brenner, Jérémie (2)
› COSTA, OLIVIER (1)
› Heidtmann, Klaus (1)
› Magatagan, Mike (43)
› Mendel, Fillipe (1)

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Bach, Johann Sebastian: Prelude: "Gelobet seist du, Jesu Christ" for Brass Quartet

Prelude: "Gelobet seist du, Jesu Christ" for Brass Quartet
BWV 723
Johann Sebastian Bach




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EcouterTélécharger MP3 : Prelude: "Gelobet seist du, Jesu Christ" (BWV 723) for Brass Quartet 19x 268x VoirTélécharger PDF : Prelude: "Gelobet seist du, Jesu Christ" (BWV 723) for Brass Quartet (3 pages - 151.96 Ko)89x
 

 
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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Quatuor de Cuivres

  2 autres versions
Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
As organist at Weimar, Johann Sebastian Bach was charged with providing a harmonic underpinning for the singing of Lutheran chorale tunes chosen for each day. Bach wrote out many of these harmonizations, in part as instruction for younger composers (they are still used for this purpose). A derivation of this practice, Bach's conception of the organ chorale, as manifested in the chorale preludes, dates from 1713 -1714, about the time he became familiar with Vivaldi's concertos.

Bach's Orgelbüchlein (Little Organ Book) contains chorale preludes for the church year written during the composer's service at Weimar (1708 - 1717). In about 1713, Bach began assembling the Orgel-Büchlein, and his earliest entries seem to be Her Christ, der ein'ge Gottes-Sohn, BWV 601, In dulci jubilo, BWV 608, Christ ist erstanden, BWV 627, and Heut' triumphieret Gottes Sohn, BWV 630. These were very original compositions, highly expressive miniatures based on a chorale melody, supported with refined counterpoint, and featuring highly condensed motivic writing.

Bach's Orgelbüchlein was essentially complete by 1716. Only the fragment O Traurigkeit and the chorale prelude, Helft mir Gottes Güte preisen, BWV 613, were added later. "Complete" is used with some reservation here, because Bach originally projected 164 pieces but completed fewer than 50. In Bach's manuscript, pages with finished pieces alternate with blank ones intended for other chorale preludes. The later pieces differ from Bach's earlier chorale elaborations, in that they contain only one statement of the melody and are intended to demonstrate how to accompany a chorale with contrapuntally proper figurations that support the meaning of the text.

In the early 1740s Bach assembled a number of chorale preludes, possibly with the intention of publishing them as a set. These Achtzehn Choräle (Eighteen Chorales) BWV 651 - 668 were almost certainly written before 1723 and revised later. The Fantasia super Komm, heiliger Geist, BWV 651 is an especially impressive, extended elaboration of the chorale melody, which is in the pedal. The tune is treated in a less ornate fashion in the next prelude of the set (BWV 652). The highly convoluted Von Gott will ich nicht lassen, BWV 658 also contains the chorale melody in the pedal.

The six Schübler chorales (BWV 645 - 650) are derived from Bach's cantatas and contain one of his most popular chorale preludes, on the melody Wachet auf, ruft uns die Stimme, BWV 645.

The third part of Bach's Clavier-Übung, published in Leipzig in 1739, contains 21 chorale preludes (not all appear in every publication), many of which are for manuals only. Nine of these are meant for use during the Mass, while the others are for the catechism. Among the most impressive is Kyrie, Gott heiliger Geist, BWV 671, which is in five voices with the chorale melody in the pedal. More complex is the first of two preludes on Aus tiefer Not schrei ich zu dir, BWV 686, which is in six parts, including two pedal parts.

Music scholars argue that this work is possible the composition of Johann Michael Bach. Johann Michael Bach was the brother of Johann Christoph Bach and, more notably, the father of Maria Barbara, the first wife of her distant cousin Johann Sebastian Bach.

Source: Allmusic (http://www.allmusic.com/composition/gelobet-seist-du-j esu-christ-iii-chorale-prelude-for-organ-bwv-722-bc-k11 4-mc0002356702).

Although originally written for Pipe Organ, I created this Interpretation of the Chorale Prelude (BWV 723) "Gelobet seist du, Jesu Christ" (We Praise You, Jesus Christ) for Brass Quartet (Bb Trumpet, Flugelhorn, French Horn & Tuba).
Source / Web :MuseScore
Ajoutée par magataganm le 2017-01-31
Partition centrale :Autres chorals et préludes, 714-765 (75 partitions)


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Cette partition est associée à la collection de magataganm :
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Liste des partitions :
› "A Che Più Strali" for Brass Ensemble - Quatuor de Cuivres
› "Are You Sleeping?" for Steel Orchestra - Ensemble de Percussion
› "Benedictus" from the Mass in B Minor for Mandolin & Guitars
› "Cádiz (Canción)" from the Suite "Española" for Cello & Guitar
› "Der Geist hilft unser Schwachheit auf" for Double String Quartet - Quatuor à cordes
› "Domino Clasula" for String Quartet - Quatuor à cordes
› "Etude" from "12 Morceaux" for Marimba Duet
› "Every Valley Shall Be Exalted" for Steel Orchestra - Ensemble de Percussion
› "Fanfare for a King" for Trumpet Quartet
› "Fanfare-Rondeau"for Steel Orchestra - Ensemble de Percussion






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