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CRITÈRES : Chorals et préludes « Kirnberger », BWV 707 (56) (Bach, Johann Sebastian)

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Prelude: "Ich hab mein Sach Gott heimgestellt" for Brass Quartet
BWV 707
Johann Sebastian Bach
Quatuor de Cuivres

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VoirPDF : Prelude: "Ich hab mein Sach Gott heimgestellt" (BWV 707) for Brass Quartet (11 pages - 205.41 Ko)158x⬇

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MP3 : Prelude: "Ich hab mein Sach Gott heimgestellt" (BWV 707) for Brass Quartet 33x⬇ 452x

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Compositeur	Bach, Johann Sebastian (1685 - 1750)
Instrumentation	Quatuor de Cuivres
Partition centrale	Chorals et préludes « Kirnberger », BWV 690-713 (56 partitions) 2 autres versions
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 07 Déc 2019
Born in Eisenach in 1685, Johann Sebastian Bach was educated largely by his eldest brother, after the early death of his parents. At the age of eighteen he embarked on his career as a musician, serving first as a court musician at Weimar, before appointment as organist at Arnstadt. Four years later he moved to Mühlhausen as organist and the following year became organist and chamber musician to Duke Wilhelm Ernst of Weimar. Securing his release with difficulty, in 1717 he was appointed Kapellme...(+) Born in Eisenach in 1685, Johann Sebastian Bach was educated largely by his eldest brother, after the early death of his parents. At the age of eighteen he embarked on his career as a musician, serving first as a court musician at Weimar, before appointment as organist at Arnstadt. Four years later he moved to Mühlhausen as organist and the following year became organist and chamber musician to Duke Wilhelm Ernst of Weimar. Securing his release with difficulty, in 1717 he was appointed Kapellmeister to Prince Leopold of Anhalt-Cöthen and remained at Cöthen until 1723, when he moved to Leipzig as Cantor at the School of St.Thomas, with responsibility for the music of the five principal city churches. Bach was to remain in Leipzig until his death in 1750. As a craftsman obliged to fulfil the terms of his employment, Bach provided music suited to his various appointments. It was natural that his earlier work as an organist and something of an expert on the construction of organs, should result in music for that instrument. At Cöthen, where the Pietist leanings of the court made church music unnecessary, he provided a quantity of instrumental music for the court orchestra and its players. In Leipzig he began by composing series of cantatas for the church year, later turning his attention to instrumental music for the Collegium musicum of the University, and to the collection and ordering of his own compositions. The so-called Kirnberger Collection (BWV 690-713), a title now generally ignored in recent editions, is a collection of music by Bach copied by or for his pupil Johann Philipp Kirnberger. The latter was born in Saalfeld in 1721 and educated in Coburg and Cotha, before, in 1739, travelling to Leipzig for lessons in composition and performance with Bach. After a period spent in Poland, he returned to Dresden, moving then to Berlin as a violinist in the Prussian royal service. In 1754 he entered the service of Prince Heinrich of Prussia and four years later that of Princess Anna Amalia, remaining in this last position until his death in Berlin in 1783. Kirnberger had the highest regard for Bach, and did his utmost to bring about the posthumous publication of the latter's four-part chorale settings. Source: Wikipedia (https://en.wikipedia.org/wiki/List_of_organ_compositio ns_by_Johann_Sebastian_Bach). Although originally written for Pipe Organ, I created this Interpretation of the Prelude (BWV 707) "Ich hab mein Sach Gott heimgestellt" (I have left all that concerns me up to God) for Brass Quartet (Bb Trumpet, Flugelhorn, French Horn & F Tuba).