adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6809 Partitions
7462 MP3
1289 MIDI





Collection Take The Lead
Toutes les partitions de la collection Take the Lead pour trompette. Livres et CD pour jouer accompagné.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Bach, Johann Sebastian: Aria: "Willkommen! will ich sagen" for Brass Quartet

Aria: "Willkommen! will ich sagen" for Brass Quartet
BWV 27 No 3
Johann Sebastian Bach




Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 : Aria: "Willkommen! will ich sagen" (BWV 27 No 3) for Brass Quartet 32x 349x VoirTélécharger PDF : Aria: "Willkommen! will ich sagen" (BWV 27 No 3) for Brass Quartet (10 pages - 215.16 Ko)190x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Quatuor de Cuivres

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Wer weiß, wie nahe mir mein Ende? (Who knows how near to me my end?), BWV 27, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the 16th Sunday after Trinity and first performed it on 6 October 1726.

An unknown poet included in movement 1 the first stanza of the chorale by Ämilie Juliane von Schwarzburg-Rudolstadt and closed it with the first stanza of the hymn "Welt ade! ich bin dein müde" by Johann Georg Albinus.

The chorale theme Wer nur den lieben Gott läßt walten (Zahn 2778) was first documented by Georg Neumark in Jena, but the melody can be likely traced back to Kiel, 1641.

The five-part (SSATB) harmonization of the concluding chorale Welt, ade! ich bin dein müde is not by Bach but by Johann Rosenmüller (published for the first time in Johann Quirsfeld's Geistliche Harffen-Klang, Leipzig, 1679).

The first movement of this cantata is "about as tragic as it gets": it is in a minor key and quickly sounds a strong dissonance between the oboe phrase and the continuo. Descending arpeggiated strings underline the "wails of the damned" represented by the oboes. After the opening ritornello, the vocal lines alternate between choir and solo presentations of the phrases of the chorale, with each voice (except the bass) having an arioso line.

A tenor recitative leads into a "shadowy" alto aria accompanied by an oboe da caccia. Chromaticism contributes to the "fleeting shadows" of the welcoming of death. The accompanying keyboard part has historically been played by either harpsichord or organ. The obbligato oboe conveys a number of different ideas: dancing, sighing, and "quasi-tragic" descent.

The soprano recitative uses word painting and sustained chordal harmonies to urge the listener into heaven. The bass aria then combines two contrasting sentiments: adieu and agitation. The repeated pairing of the "farewell theme – tumult theme" holds through both the opening ritornello and the vocal line, breaking only with the closing on the farewell theme alone.

The closing chorale includes two soprano parts and is stylistically reminiscent of the English madrigal.

Source: Wikipedia (https://en.wikipedia.org/wiki/Wer_wei%C3%9F,_wie_nahe_ mir_mein_Ende%3F_B...).

The cantata is scored for four soloists—soprano, alto, tenor and bass—a four- or five-part choir, horn, three oboes, oboe da caccia, organ, two violins, viola, and basso continuo.

Although originally scored for oboe da caccia, alto (Voice), organ, and basso continuo, I created this arrangement of the 1st Aria "Willkommen! will ich sagen" (Welcome! I will say) for Brass Quartet (Bb Trumpet, Flugelhorn, French Horn and F Tuba).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-06-30
Partition centrale :Wer weiß, wie nahe mir mein Ende, 27 (5 partitions)

Matériel & Partitions
Trompettes de poche
Rayon instruments trompette de poche sur notre guide d'achat.

0 commentaire



Signaler

Cette partition est associée à la collection de magataganm :
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Liste des partitions :
› "A Che Più Strali" for Brass Ensemble - Quatuor de Cuivres
› "Are You Sleeping?" for Steel Orchestra - Ensemble de Percussion
› "Benedictus" from the Mass in B Minor for Mandolin & Guitars
› "Cádiz (Canción)" from the Suite "Española" for Cello & Guitar
› "Der Geist hilft unser Schwachheit auf" for Double String Quartet - Quatuor à cordes
› "Domino Clasula" for String Quartet - Quatuor à cordes
› "Etude" from "12 Morceaux" for Marimba Duet
› "Every Valley Shall Be Exalted" for Steel Orchestra - Ensemble de Percussion
› "Fanfare for a King" for Trumpet Quartet
› "Fanfare-Rondeau"for Steel Orchestra - Ensemble de Percussion






Boutiques pour TROMPETTE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux