Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6836 Partitions
7484 MP3
1317 MIDI

Partitions Pop/Rock pour violon
Toutes les partitions Pop Rock pour violon.

"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Bach, Johann Sebastian: Italian Concerto in F Major for Violin & Guitar

Italian Concerto in F Major for Violin & Guitar
BWV 971
Johann Sebastian Bach

Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 : Italian Concerto in F Major (BWV 971) for Violin & Guitar 51x 292x VoirTélécharger PDF : Italian Concerto in F Major (BWV 971) for Violin & Guitar (16 pages - 383.8 Ko)121x

Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :

laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté

Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Violon, guitare ou piano ou orgue

Genre :


Arrangeur :Johann Sebastian BachMagatagan, Mike (1960 - )
Tonalité :Fa majeur
Droit d'auteur :Public Domain
Johann Sebastian Bach's "Italian" Concerto is featured in his Clavierübung, Part 2. The preface to the first published edition of 1735 (issued by Christoph Weigl of Nuremberg) made it clear that this "Übung" (or "exercise") was written exclusively for a two-manual harpsichord or Clavicymbal, and was, according to the composer himself, intended "for lovers of music, for their enjoyment," and not solely for the purposes of their technical advancement. The prescribed two-manual instrument was quite clearly a deliberate choice on Bach's part, since its use enabled the player and indeed the composer to explore new timbral contrasts and dynamic gradations that had been hitherto unavailable to keyboard players. Bach's early exploitation and championship of the expanded potentialities of the harpsichord partly accounted for the phenomenal growth in the popularity of the instrument, especially toward the end of Bach's life.

Described by J.A. Scheibe as "a perfect model of a well-designed solo concerto," Bach's "Concerto after the Italian Style" is not, as was once supposed, a reduction of a full keyboard concerto with orchestra, but rather an attempt at recreating the elements of concerto style in microcosm in a brilliant work for a solo instrument. This work manages to capture and sustain the fundamental principle of dialogue and exchange between concertino and ripieno groups found in any conventional concerto. Using a fascinating and intellectually rigorous alternation between solo and tutti passagework, Bach manages to assign the normal tutti function of the absent orchestra to the more powerful principal manual of the harpsichord, giving the virtuoso writing normally reserved for the soloist to the second manual. It would be reasonable to call the Italian Concerto a compendium-style work. In this regard at least, it has but one equal in the entire literature, this being the Concerto for Orchestra by Bartók.

In its ordering of movements, the work follows the standard Baroque concerto pattern, in which a central slow movement (Andante) is framed by two faster ones. Only in the central movement does the music take the form of a highly ornamented melody line for the right hand heard above a straightforward chordal accompaniment. Remarkably, however, the left hand part (in thirds) actually takes up the main melody of the brilliant opening movement (without tempo marking), already remarkable for its élan and bravura craftsmanship and for the way in which the music echoes contemporary orchestral technique so masterfully. The tonal scheme of the Presto finale is very simple, hardly veering away from tonic and dominant harmonies. The payoff here, however, is the tremendous vitality and dynamism of the music, based on nothing more complex than an F major ascending scale from which Bach crafts his essential materials. As one would expect from a master contrapuntist, the theme is heard in augmentation and diminution, in inversion and contrary motion, and indeed in a whole panoply of spectacular concatenations that leave the listener marveling by the close at the fact that this is a work for just one player, two hands, and two manuals!

Source: AllMusic ( or-solo-keyboard-in-f-major-clavier-%C3bung-ii-1-bwv-97 1-bc-l7-mc0002391805).

Although originally written for Harpsichord. I created this Arrangement of the Italian Concerto in F Major (BWV 971) for Violin & Classical Guitar.
Source / Web :MuseScore
Ajoutée par magataganm le 2017-06-23
Partition centrale :Concerto italien, 971 (13 partitions)

Matériel & Partitions
Take the Lead Collection - Violon
Carefully selected and edited Violin arrangements with full backing tracks on the accompanying CD.

0 commentaire


Cette partition est associée à la collection de magataganm :
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Liste des partitions :
› "A Che Più Strali" for Brass Ensemble - Quatuor de Cuivres
› "Are You Sleeping?" for Steel Orchestra - Ensemble de Percussion
› "Benedictus" from the Mass in B Minor for Mandolin & Guitars
› "Cádiz (Canción)" from the Suite "Española" for Cello & Guitar
› "Der Geist hilft unser Schwachheit auf" for Double String Quartet - Quatuor à cordes
› "Domino Clasula" for String Quartet - Quatuor à cordes
› "Etude" from "12 Morceaux" for Marimba Duet
› "Every Valley Shall Be Exalted" for Steel Orchestra - Ensemble de Percussion
› "Fanfare for a King" for Trumpet Quartet
› "Fanfare-Rondeau"for Steel Orchestra - Ensemble de Percussion

Boutiques pour VIOLON

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux

Les cookies nous permettent de personnaliser le contenu et les annonces, d'offrir des fonctionnalités relatives aux médias sociaux et d'analyser notre trafic. Nous partageons également des informations sur l'utilisation de notre site avec nos partenaires de médias sociaux, de publicité et d'analyse, qui peuvent combiner celles-ci avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services.
Pour en savoir plus et paramétrer les cookiesFermer