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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

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› Bach, Johann Sebastian Original (22)
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› Busoni, Ferruccio (1)
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› Hermann, Friedrich (1)
› Joseffy, Rafael (1)

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Bach, Johann Sebastian: Partita in B Minor for Violin

Partita in B Minor for Violin
BWV 1002
Johann Sebastian Bach




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EcouterTélécharger MP3 : Partita in B Minor (BWV 1002) for Violin 72x 854x VoirTélécharger PDF : Partita in B Minor (BWV 1002) for Violin (11 pages - 303.76 Ko)741x
VoirTélécharger PDF : Transcribed for Viola (E Minor) (313.18 Ko)
 

 
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Partita in B Minor for Violin
Télécharger MP3 (13.91 Mo) : interprétation (par Magatagan, Mike)46x 91x
Partita in B Minor for Viola
Télécharger MP3 (26.34 Mo) : interprétation (par Magatagan, Mike)33x 45x



Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Violon seul

  23 autres versions
Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Tonalité :Si mineur
Droit d'auteur :Public Domain
Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time.

Of Bach's three partitas for solo violin, the first is the most old-fashioned in its choice of dance movements. The work is structurally unusual among Bach's sonatas and partitas for solo instruments in that it consists of four pairs of movements, the second of each pair offering a variation (or, employing the French term double) on the first. Another nod to older forms is the overall layout of the movements; the pairs fall into the slow-fast-slow-fast pattern of the church sonata or sonata da chiesa. To complicate matters, each double is much faster than the movement it varies. The work is technically challenging, generally more difficult than the third partita but not as tough as the second, the famous Chaconne of which is clotted with double and triple stops.

The opening Allemanda announces that it's not for sissy violinists with an immediate series of double stops (which were easier to play in Bach's time than today, thanks to the convex Baroque bow). This is a typical example of the allemanda (or allemande), a slow, serious German dance in quadruple meter and binary form, its improvisational-seeming melodies refusing to conform to the expected phrases. Its "Double" is faster and in 2/2, following the same contours as the original melodies, but now filling them in with even runs of notes. The "Correnta" is the Italian version of the dance form known in French as courante: fairly fast, in 3/4, sawing up and down the scale. Its 'Double," marked Presto, again rolls all over the staff, but the notes now fly by almost as fast as possible. The mood becomes somber with the Sarabande, the only movement in this partita to receive the French version of its title. Indeed, unlike the common Italian model, this French Sarabande is slow (in 3/4 meter) and expressive, its second half almost entirely in double stops. Its "Double" switches to 9/8 and increases the tempo, but the mood remains questioning and unsettled; at least Bach now eases off the multiple stops. Finally comes a movement in Tempo di Borea (related to the bourée), fast and sharply accented in a meter marked 2/4 but really feeling more like 2/2; again, Bach employs multiple stops through most of this movement. Its "Double" is in 12/4, the shape of the original melody obscured by the fast, nonstop passagework.

Source: AllMusic (http://www.allmusic.com/composition/partita-for-solo-v iolin-no-1-in-b-minor-bwv-1002-mc0002390271).

Although originally written for Solo Violin. I created this Transcription of the Partita No. 1 in B Minor (BWV 1002) for Solo Violin.
Source / Web :MuseScore
Ajoutée par magataganm le 2017-07-23
Partition centrale :6 Sonates et partitas pour violon seul, 1001-1006 (121 partitions)

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Cette partition est associée à la collection de magataganm :
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Arrangements musicaux de Mike Magatagan
Liste des partitions :
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› "Are You Sleeping?" for Steel Orchestra - Ensemble de Percussion
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› "Cádiz (Canción)" from the Suite "Española" for Cello & Guitar
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Partitions ventes d'Europe
1 partitions trouvées pour "Partita in B Minor for Violin"

Bach Johann Sebastian : Bach Sonatas And Partitas For The Violin
Violon
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Partitions ventes des USA
7 partitions trouvées pour "Partita+in+B+Minor+for+Violin"
Bach for Violin
Bach for Violin
Violon et Piano
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Sonatas and Partitas, 4 Concertos, and Arioso. Composed by Johann Sebastian Bach (1685-1750). String Solo. Softcover. 88 pages. Published by G. Schirmer
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Partita No.1 in B minor BWV 1002
 
 
Partita No.1 in B minor BWV 1002
Violon
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By Johann Sebastian Bach (1685-1750). Edited by Carl Flesch. For Violin Solo. This edition: Urtext. Sheet Music. Published by Edition Peters
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Délais: 1 to 2 weeks
Johann Sebastian Bach: 3 Sonatas And 3 Partitas For Solo Violin, BWV 1001-1006
 
Johann Sebastian Bach: 3 Sonatas And 3 Partitas For Solo Violin, BWV 1001-1006

Violon [Partition]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Gunter Hausswald. BWV 1001-1006. For violin. Urtext of the New Bach Edition. Format: violin solo book. With introductory text. Baroque. 60 pages. 9x12 inches. Published by B…
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Délais: 24 hours - In Stock


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