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BIBLIOTHÈQUE
Hammerschmidt, Andreas Andreas Hammerschmidt


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Hammerschmidt, Andreas: "Schmücket das Fest mit Maien" for Piano & Woodwinds

"Schmücket das Fest mit Maien" for Piano & Woodwinds
Andreas Hammerschmidt




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Compositeur :Andreas HammerschmidtHammerschmidt, Andreas
Instrumentation :

Piano et orchestre ą vent

Genre :

Baroque

Arrangeur :
Editeur :
Andreas HammerschmidtMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Andreas Hammerschmidt (1611 or 1612 – 29 October 1675), the "Orpheus of Zittau," was a German Bohemian composer and organist of the early to middle Baroque era. He was one of the most significant and popular composers of sacred music in Germany in the middle 17th century.

Hammerschmidt wrote motets, concertos and arias, and almost all of his output is sacred vocal music in the concertato style. According to Manfred Bukofzer (1947), he "watered down the achievements of Schütz for the multitude." Many of his compositions are in the form of the chorale monody, an adaptation of the early Baroque Italian form to a sacred, and specifically Protestant, purpose. Indeed Hammerschmidt represents the second generation of composers who distilled a native German Baroque tradition out of forms and styles imported from Italy.

Over 400 works by Hammerschmidt survive, in a total of 14 separate collections. The motets represent a more conservative style, as noted by Hammerschmidt himself, and the concertos—concertato pieces with opposing groups of voices and instruments—are in a current idiom.

Some of his concertos are written for large ensembles, with diverse combinations of instruments and voices (for example, the sets from Gespräche über die Evangelia of 1655–1656; this was long enough after the war that large ensembles were available again). He wrote these pieces for Sundays and church feast days; their structure and intent foreshadowed the later German church cantata, as exemplified most famously by Johann Sebastian Bach. Even Hammerschmidt's masses conform to the concertato style, and are best seen as concertos.

While Hammerschmidt was an organist all of his life, no organ music of his has survived; indeed there is no evidence he published any. Some instrumental music of his has survived in three publications; most of these are suites of dances influenced by the English style which was prevalent in the northern part of Germany at that time.

Although "Schmücket das Fest mit Maien" (Bind the sacrifice with cords, even unto the horns of the altar) was originally written for Strings and Basso Continuo, I created this arrangement for Piano and Woodwinds (Flutes (2), Oboes (2), Bb Clarinets (2) & Bassoons (2)).
Source / Web :Musescore
Ajoutée par magataganm le 2013-06-04
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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






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