adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6803 Partitions
7456 MP3
1283 MIDI





Flute - Music Minus One Collection
Music Minus One est une collection de partitions avec CD qui donne l'opportunité de jouer accompagné par un orchestre ou un piano.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

› ›
Bach, Johann Sebastian: Aria: "Auch die harte Kreuzesreise" for Flute, Oboe, Horn & Cello

Aria: "Auch die harte Kreuzesreise" for Flute, Oboe, Horn & Cello
BWV 123 No 3
Johann Sebastian Bach




Annoter cette partition
Notez le niveau :
Notez l'intérźt :

EcouterTélécharger MP3 : Aria: "Auch die harte Kreuzesreise" (BWV 123 No 3) for Flute, Oboe, Horn & Cello 25x 217x VoirTélécharger PDF : Aria: "Auch die harte Kreuzesreise" (BWV 123 No 3) for Flute, Oboe, Horn & Cello (4 pages - 218.2 Ko)242x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flute, Hautbois, Cor et Violoncelle

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Bach wrote the chorale cantata in his second year in Leipzig for the First Sunday after Epiphany. A year earlier, on the same occasion, Bach had reflected Mein liebster Jesus ist verloren, BWV 154, from the point of view of a person who had lost Jesus. This cantata text is based on the chorale in six stanzas by Christian Keymann (1658). The text of the hymn begins, as in the former work, with an idea close to the gospel: the Christian does not want to let go of Jesus, as his parents had wished not to lose their 12-year-old boy, but then the chorale pursues the thought of being united with Jesus after death. An unknown poet kept the first and the last stanza, and paraphrased the inner stanzas to a sequence of as many recitatives and arias. Bach first performed the cantata on 7 January 1725, one day after Liebster Immanuel, Herzog der Frommen, BWV 123, for Epiphany.

In the opening chorus the soprano and the horn present line by line the cantus firmus, a melody by Andreas Hammerschmidt, who collaborated with Keymann on chorales. The lower voices are set mostly in homophony, while the orchestra plays its own themes in introduction, interludes and accompaniment. The character of the movement is a minuet, and the oboe d'amore takes a virtuosic concertante leading part. The phrase "klettenweis an ihm zu kleben" (cling to him like a burr) is illustrated by all three lower voices holding a note for three measures as if clinging to it. John Eliot Gardiner notes the "gentle, almost naļve tone of voice to reflect the submissive character of the text". A short secco recitative leads to a tenor aria, which is accompanied by the oboe, while the strings play "a persistent four-note drumming" to express "Furcht und Schrecken" (fear and terror). Alfred Dürr compares these repetitions to similar figures in the alto recitative "Warum wollt ihr erschrecken", movement 49 of Bach's Christmas Oratorio, Part V. In another secco recitative the term "nach vollbrachtem Lauf" (after my completed course) is pictured by a scale spanning an octave. A duet of soprano and alto, only accompanied by the continuo, moves like a dance in simple periods of four measures. The cantata is closed by the final stanza in a four-part setting.

The cantata in six movements is scored for three vocal soloists (alto, tenor, and bass), a four-part choir, two flauto traverso, two oboes d'amore, two violins, viola, and basso continuo.

Source: Wikipedia (https://en.wikipedia.org/wiki/Liebster_Immanuel,_Herzo g_der_Frommen,_BWV...).

I created this arrangement of the first Aria: "Auch die harte Kreuzesreise" (Even the harsh journey of the Cross) for Flute, Oboe, French Horn & Cello.
Source / Web :MuseScore
Ajoutée par magataganm le 2015-08-06
Partition centrale :Liebster Immanuel, Herzog der Frommen, 123 (5 partitions)

Matériel & Partitions
Flūtes traversičres d'étude
Un trčs large choix en stock de flūtes traversičres d'étude.

0 commentaire



Signaler

Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






Boutiques pour FLUTE TRAVERSIERE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux