adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6809 Partitions
7462 MP3
1289 MIDI





Pupitres de musique
Le plus large choix en stock de pupitres sur le web ! Pupitre d'orchestre, de table, pliables, en bois, spéciaux, les accessoires...



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

› ›
Bach, Johann Sebastian: Aria: "Gott, du hast es wohl gefüget" for Flute, Cello & Harp

Aria: "Gott, du hast es wohl gefüget" for Flute, Cello & Harp
BWV 63 No 3
Johann Sebastian Bach




Annoter cette partition
Notez le niveau :
Notez l'intérźt :

EcouterTélécharger MP3 : Aria: "Gott, du hast es wohl gefüget" (BWV 63 No 3) for Flute, Cello & Harp 42x 366x VoirTélécharger PDF : Aria: "Gott, du hast es wohl gefüget" (BWV 63 No 3) for Flute, Cello & Harp (6 pages - 199.43 Ko)287x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Flūte traversičre, Harpe et Violoncelle

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Christen, ätzet diesen Tag (Christians, engrave this day), BWV 63, is a church cantata by Johann Sebastian Bach. He composed the Christmas cantata for the First Day of Christmas, possibly in 1713 for the Liebfrauenkirche in Halle. He performed it again for his first Christmas as Thomaskantor in Leipzig, on 25 December 1723.

The cantata is Bach's earliest extant cantata for Christmas, possibly composed in Weimar as early as 1713. The text of the cantata, which echoes theologians in Halle, suggests that it was composed with Halle's Liebfrauenkirche in mind, in 1713, when Bach applied to be organist of this church, or in 1716, when he was involved in rebuilding its organ. The text is possibly by that church's 'Pastor primarius' Johann Michael Heineccius, who also wrote the libretti for other Bach cantatas definitely written for Halle and had favoured Bach's application for organist at the church as a successor to Friedrich Wilhelm Zachow. Musicologist Christoph Wolff deducts from the "lavish forces" of four trumpets, timpani and three oboes on top of the strings, an unprecedented scoring in Bach's cantatas, that the work was not composed for the intimate Schloßkirche in Weimar. He dates it as 1714 or 1715. According to John Eliot Gardiner, the first performance may have taken place in Weimar in the church of St. Peter und Paul, performed by the combined musicians of the ducal Capelle and the town. The lack of a closing chorale, which closes most of Bach's later cantatas, has raised the question if the work is based on a secular cantata.

The cantata has a festive character but lacks certain features typically associated with Christmas music, such as Pastoral music, angels' song and cradle song, even a Christmas carol or chorale, as Gardiner words it: "The cantata contains none of the usual Nativity themes: no cradle song, no music for the shepherds or for the angels, not even the standard Christmas chorales". The symmetry of the text around the recitative "Nun kehret sich das bange Leid … in lauter Heil und Gnaden" (So now, today, the anxious sorrow is changed … into pure blessing and grace) is reflected in the music. The recitatives lean toward arioso at times, typical for Bach's music in the period. The choral movements show da capo form, but with distinctly contrasting middle sections, which relates to motet style. Wolff describes these movements as "fanfare-like frameworks", a cantabile choral setting contrasting with virtuoso orchestral playing in "secular dance".

The cantata contains two duets, rare in Bach's cantatas, likely an expression of communal rejoicing which is expressed better in a duet than by a single voice.

The cantata in seven movements is festively scored for four vocal soloists (soprano, alto, tenor, and bass), a four-part choir, four trumpets, timpani, three oboes, bassoon, two violins, viola, organ in a later version, and continuo.

Source: Wikipedia (https://en.wikipedia.org/wiki/Christen,_%C3%A4tzet_die sen_Tag,_BWV_63).

I created this arrangement of the first Aria "Gott, du hast es wohl gefüget" (God, you have well accomplished) for Flute, Cello & Concert (Pedal) Harp.
Source / Web :MuseScore
Ajoutée par magataganm le 2015-07-14
Partition centrale :Christen, ätzet diesen Tag, 63 (5 partitions)



0 commentaire



Signaler

Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






Boutiques pour FLUTE TRAVERSIERE

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux