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BIBLIOTHÈQUE
Haendel, Georg Friedrich Georg Friedrich Haendel
Allemagne Allemagne
(1685 - 1759)

2143 Partitions
2955 MP3
511 MIDI


Instrumentations :
CHANT - CHORALE
› Choeur SATB, Orchestre (3) Original
› Choeur SATB, Piano (5)
› Choeur SATB (4)
› Choeur SATB a cappella (3)
› Soli, Choeur et Orchestre (1)
› voix, violon, guitare (1)
› Choeur SSAA, Orgue (1)

Arrangeurs :
› Haendel, Georg Friedrich Original (1)
› Adrian A, Cuello Piraquibis (1)
› Bergeron, Guy (1)
› Bert, Jacques (2)
› Best, William Thomas (1)
› Chrysander, Friedrich (3)
› Czerny, Carl (1)

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Haendel, Georg Friedrich: "How Beautiful are the Feet of them" for Flute & Strings

"How Beautiful are the Feet of them" for Flute & Strings
HWV 56 No. 38
Georg Friedrich Haendel




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Compositeur :Georg Friedrich HaendelHaendel, Georg Friedrich (1685 - 1759)
Instrumentation :

Flūte et Quatuor ą cordes

  2 autres versions
Genre :

Baroque

Arrangeur :
Editeur :
Georg Friedrich HaendelMagatagan, Mike (1960 - )
Date :1741
Droit d'auteur :Public Domain
Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.

Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the "Hallelujah" chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven.

Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times.

From the gentle falling melody assigned to the opening words ("Comfort ye") to the sheer ebullience of the "Hallelujah" chorus and the ornate celebratory counterpoint that supports the closing "Amen", hardly a line of text goes by that Handel does not amplify".

The preachers are described tenderly in G minor and 3/4 time, as written first by Isaiah (Isaiah 52:7) and quoted by Paul in his Epistle to the Romans (Romans 10:15: "How beautiful are the feet of Him". Two alto voices begin and are joined by the choir, stressing "good tidings", "break forth into joy" and culminating on a cantus firmus of one repeated note: "Thy God reigneth!" Block, quoting Genesis 18:2, reflects that you see the feet of a messenger if you "fall prostrate before a superior. In the Bible, when people are confronted by a heavenly messenger (angel) the natural response is to fall down on one’s face before the messenger."

Although originally written for Vocal soloists (2 sopranos, alto, tenor, bass), Chorus, Orchestra and Harpsichord, I created this arrangement for Flute & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-02-13
Partition centrale :Messiah, 56 (137 partitions)


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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






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