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BIBLIOTHÈQUE
Haendel, Georg Friedrich Georg Friedrich Haendel
Allemagne Allemagne
(1685 - 1759)

2142 Partitions
2955 MP3
511 MIDI





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Haendel, Georg Friedrich: Suite in E Major for Flute & Harp

Suite in E Major for Flute & Harp
HWV 430 No. 5
Georg Friedrich Haendel




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Compositeur :Georg Friedrich HaendelHaendel, Georg Friedrich (1685 - 1759)
Instrumentation :

Flute et Harpe

Genre :

Baroque

Arrangeur :
Editeur :
Georg Friedrich HaendelMagatagan, Mike (1960 - )
Tonalité :Mi majeur
Droit d'auteur :Public Domain
Most music lovers have encountered Georg Friedrich Händel (1685 – 1759) through holiday-time renditions of the Messiah's "Hallelujah" chorus. And many of them know and love that oratorio on Christ's life, death, and resurrection, as well as a few other greatest hits like the orchestral Water Music and Royal Fireworks Music, and perhaps Judas Maccabeus or one of the other English oratorios. Yet his operas, for which he was widely known in his own time, are the province mainly of specialists in Baroque music, and the events of his life, even though they reflected some of the most important musical issues of the day, have never become as familiar as the careers of Bach or Mozart. Perhaps the single word that best describes his life and music is "cosmopolitan": he was a German composer, trained in Italy, who spent most of his life in England.

If there is an archetypal Handel keyboard suite, it is the E major. Like most of the other suites, it is in four movements. And, like most of the other suites, those four movements are predominantly stylized dance movements preceded by a prelude. And, like most of the suites, it is a beautiful and beguiling work fully at the level of Bach's best keyboard suites. Unlike Handel's other suites, this work (published by the composer himself, in London, in 1720) is frequently performed. Or, more specifically, its last movement is still frequently performed: as lovely as the graceful opening prelude, the fine-boned Andantino Allemande, and the porcelain-skinned Allegro Courante, the closing Air con variazioni is what guarantees the Suite in E major immortality. Obliquely based on the English folk song "Four Days Drunk," but far better known by its title The Harmonious Blacksmith, the air and five variations is quintessential Handel: sturdy and supple, elegant and powerful, lyrical but virtuosic. It also features the only movement in Handel with the compound time signature 24/16 against common time.

Source: AllMusic (https://www.allmusic.com/composition/suite-for-keyboar d-suite-de-piece-vol1-no5-in-e-major-the-harmonious-bla cksmith-hwv-430-mc0002403109).

Although originally written for Keyboard, I created this Arrangement of the Suite in E Major (HWV 430 No. 5) for Flute & Concert (Pedal) Harp.
Source / Web :MuseScore
Ajoutée par magataganm le 2018-05-02
Partition centrale :Suite de pičce en Mi majeur, Vol 1 No 5, 430 (7 partitions)

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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent





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