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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6809 Partitions
7462 MP3
1289 MIDI


Instrumentations :
CHANT - CHORALE
› Choeur et Orchestre (1) Original
TROMPETTE
› Quatuor de Cuivres (24)
› Quintette de Cuivres : 2 Trompettes, 1 Cor, 1 Trombone, 1 Tuba (1)
› Trompette et Quatuor ą cordes (2 Violons, 1 alto, 1 Violoncelle) (1)
› Trompette et Orchestre ą cordes (1)
› 2 Trompettes et Quatuor ą Cordes (1)
ORCHESTRE
› Vents & Orchestre Cordes (9)
ORGUE

Arrangeurs :
› Bach, Johann Sebastian (1)
› Behrens, Ralf (47)
› BENOIST, Regis (1)
› MACHELLA, MAURIZIO (6)
› Magatagan, Mike (40)
› Mendel, Fillipe (1)
› Roth, Philipp (1)

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Bach, Johann Sebastian: Coro: "Ehre sei dir, Gott, gesungen" for Winds & Strings

Coro: "Ehre sei dir, Gott, gesungen" for Winds & Strings
BWV 248 No 43
Johann Sebastian Bach




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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Vents & Orchestre Cordes

  8 autres versions
Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
he Christmas Oratorio BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 incorporating music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a now lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).

It was conceived as a set of six cantatas. Unlike the Passion settings and the oratorios of Bach's exact contemporary Handel, the six parts of his Christmas Oratorio were performed on separate days. Bach wrote the six cantatas to celebrate the whole period of the Christmas festivities of 1734-35, starting with Part I on Christmas Day, and ending with Part VI on Epiphany (January 6th). The performances were divided between his two churches: Parts I, II, IV and VI were given at the Thomaskirche, and Parts III and V at the Nicolaikirche.

Bach wrote the Christmas Oratorio over a short period. Unusually for him, but perhaps by necessity, he recycled music from earlier compositions. At least eleven sections have been identified as coming from three earlier secular cantatas, with Bach working with his frequent collaborator Picander to alter the texts for their new use. It is thought that several more sections may be based on lost sacred works, including the documented but now lost St Mark Passion. Bach also composed new music for much of the piece, including all of the recitatives and chorales.

Source: Wikipedia (https://en.wikipedia.org/wiki/Christmas_Oratorio).

I created this arrangement of the Coro: "Ehre sei dir, Gott, gesungen” (Let honor be sung to You, o God) for Winds (Flute, Oboe, Bb Clarinet, English Horn, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-09-28
Partition centrale :Oratorio de Noėl, 248 (99 partitions)


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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






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