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BIBLIOTHÈQUE
Aiblinger, Johann Caspar Johann Caspar Aiblinger
Allemagne Allemagne
(1779 - 1867)

9 Partitions
9 MP3








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Aiblinger, Johann Caspar: "Venite Adoremus" for Woodwind, Brass & Strings

"Venite Adoremus" for Woodwind, Brass & Strings
No. 5
Johann Caspar Aiblinger




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Compositeur :Johann Caspar AiblingerAiblinger, Johann Caspar (1779 - 1867)
Instrumentation :

Vents & Orchestre Cordes

Genre :

Baroque

Arrangeur :Johann Caspar AiblingerMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Johann Caspar Aiblinger (1779 -- 1867) was a German composer. He was born in Wasserburg am Inn, Bavaria. In his eleventh year he commenced his studies at Tegernsee Abbey, where he was instructed in piano and organ-playing. Four years later he entered the gymnasium at Munich, where he studied under Professor Schlett, his countryman.

In 1800 he began his studies at the University of Landshut. Inwardly drawn to the Catholic Church, he completed his philosophy and began theology, but the secularization of many religious orders in Bavaria prevented his entrance into a cloister. He now devoted himself solely to music. Led by the then prevailing idea that without a visit to Italy no musical education is complete, he turned his footsteps southward.

After a stay of eight years at Vicenza, where he fell under the influence of his countryman Johann Simon Mayr, Aiblinger (1811) went to Venice and there met Meyerbeer, who procured for him an appointment at the Conservatory. His failure to establish a school for classical music led him to Milan to assume the direction of the local ballet. On his return to Bavaria, King Maximilian I Joseph of Bavaria invited him to Munich to direct the Italian opera. King Ludwig I of Bavaria appointed him director of the royal orchestra, and sent him to Italy to collect old Italian masterpieces. On his return be became the organist of the church of All Saints for which he wrote many valuable compositions.

Between 1820 and 1830 he tried operatic composition, but was unsuccessful. A crusade against Italian music, which led to the revival of Christoph Willibald Gluck's Iphigenia in Tauris, followed. Then he took up church music, studying the old masters and procuring performances of their works. He also wrote much church music. His numerous compositions comprise masses and requiems, offertories and graduals, psalms, litanies, and German hymns, many of which have been published at Augsburg, Munich, Regensburg, and Mainz.

The offertory (offering), in the Roman Catholic Mass and in derived liturgical forms, is the preparation of bread and wine on the altar and their formal offering to God. It takes place after the gospel and the creed and before the preface. A short psalm verse from Scriptures is appointed to be said or sung at the beginning; it varies from day to day. This is called the offertory verse. From ancient times it has been customary to collect the alms of the worshipers about the time of the offertory, hence the term has been transferred to the collection taken up in services in Protestant churches and to the music played or sung during the collection. The choice of this selection is usually left to the musicians of the church, and in many Protestant churches the offertory is the choir's principal musical selection in the service.

Although originally written for Voice (SATT), Strings and Organ, I created this arrangement for Flute, Oboe, Bb Trumpet, French Horn and Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2014-01-23



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Cette partition est associée ą la collection de magataganm :
flûte
flûte
Dispositions Flute
Liste des partitions :
› Élévation from 30 Pièces pour Orgue for Flute & Strings
› "Matribus suis dixerunt" for Woodwind Quintet
› "2 Alma Redemptoris Mater" for Woodwinds & Strings - Vents et Quintet ą cordes
› "3 Gradualia" for Winds & Strings - Vents & Orchestre Cordes
› "A Christmas Air" for Flutes & Harp - Flute et Harpe
› "A Cup of Tea" Reel for Flute - Flūte seule
› "A Dieu Celle" for Woodwind Sextet - Sextuor ą vent.
› "A Pretty Maid Milking the Cow" for Flute, Oboe & Harp - Flūte, Hautbois, Harpe
› "A Swiss Melody" for Flute Quartet - Quatuor de Flūtes
› "Abendlied" for Woodwind Quartet - Quatuor ą vent






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