Schütz, Heinrich Heinrich Schütz
Allemagne Allemagne
(1585 - 1672)

37 Partitions
160 MP3

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Partitions Alto Alto et Harpe Heinrich Schütz
Schütz, Heinrich: "Bringt her dem Herren" for Violas & Harp

"Bringt her dem Herren" for Violas & Harp
Psalm 29 Opus 8 SWV 283
Heinrich Schütz

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EcouterTélécharger MP3 : Audio principal (3.3 Mo)355x 330x VoirTélécharger PDF : "Bringt her dem Herren" (Psalm 29 Opus 8 SWV 283) for Violas & Harp (3 pages - 108.61 Ko)314x
VoirTélécharger PDF : Viola 1 Part (79.65 Ko)
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Bringt her dem Herren for Violas & Harp
Télécharger MP3 (3.35 Mo) : (par Magatagan, Michael)134x 39x
Bringt her dem Herren for Violas & Harp
Télécharger MP3 (3.35 Mo) : (par Magatagan, Michael)187x 35x
Bringt her dem Herren for Violas & Harp
Télécharger MP3 (3.35 Mo) : (par Magatagan, Michael)39x 31x

Compositeur :Heinrich SchützSchütz, Heinrich (1585 - 1672)
Instrumentation :

Alto et Harpe

Genre :


Arrangeur :
Editeur :
Heinrich SchützMagatagan, Mike (1960 - )
Date :1636
Droit d'auteur :Public Domain
Heinrich Schütz (1585 -- 1672) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and often considered to be one of the most important composers of the 17th century along with Claudio Monteverdi. He wrote what is traditionally considered to be the first German opera, Dafne (Opitz-Schütz), performed at Torgau in 1627, the music of which has since been lost. He is commemorated as a musician in the Calendar of Saints of the Lutheran Church on 28 July with Johann Sebastian Bach and George Frideric Handel. He was buried in the Dresden Frauenkirche but his tomb has been destroyed.

Schütz's compositions show the influence of his teacher Gabrieli (displayed most notably with Schütz's use of resplendent polychoral and concertato styles) and of Monteverdi. Additionally, the influence of the Netherlandish composers of the 16th century is prominent in his work. His best known works are in the field of sacred music, ranging from solo voice with instrumental accompaniment to a cappella choral music. Representative works include his three books of Symphoniae sacrae, the Psalms of David (Psalmen Davids), the Sieben Worte Jesu Christi am Kreuz (the Seven Last Words on the Cross) and his three Passion settings. Schütz's music, while starting off in the most progressive styles early in his career, eventually grew into a style that is simple and almost austere, culminating with his late Passion settings. Practical considerations were certainly responsible for part of this change: the Thirty Years' War had devastated the musical infrastructure of Germany, and it was no longer practical or even possible to put on the gigantic works in the Venetian style which marked his earlier period.

Schütz had a way of entering into sacred texts musically, producing not personal responses but emotional fervor that seems universal, that was matched in the history of German music only by Johann Sebastian Bach. Several of the psalms among the Psalmen David heard here are familiar from Bach's settings, but the Schütz versions have their own profundity.

Although originally written for Chorus (5 Voices & Continuo), I created this arrangement for Viola Duet & Concert (Pedal) Harp.
Source / Web :MuseScore
Ajoutée par magataganm le 2014-08-15

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Cette partition est associée à la collection de magataganm :
Viola Arrangements

Liste des partitions :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Alto et Harpe
› "Élégie" from "6 Études pour la Main Gauche" for String Quartet
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Alto et Harpe
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp

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