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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

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Partitions Trompette Trumpette, Cor et Cordes Johann Sebastian Bach
Bach, Johann Sebastian: Chorale: "Du Friedefürst, Herr Jesu Christ" for Brass & Strings

Chorale: "Du Friedefürst, Herr Jesu Christ" for Brass & Strings
BWV 67 No 6
Johann Sebastian Bach




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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Trumpette, Cor et Cordes

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Halt im Gedächtnis Jesum Christ (Keep Jesus Christ in mind), BWV 67, is a church cantata by Johann Sebastian Bach. He composed the cantata in his first year in Leipzig, when he first performed his St John Passion, for the First Sunday after Easter, called Quasimodogeniti. The prescribed readings for that Sunday were from the First Epistle of John, "our faith is the victory" (1 John 5:4–10), and from the Gospel of John, the appearance of Jesus to the Disciples, first without then with Thomas, in Jerusalem (John 20:19–31). The unknown poet begins with a verse from the Second Epistle to Timothy, "Remember that Jesus Christ … was raised from the dead" (2 Timothy 2:8). The poet sees Thomas as similar to the doubtful Christian in general whose heart is not at peace. The center of the cantata is the Easter hymn "Erschienen ist der herrlich Tag" (The glorious day has appeared) by Nikolaus Herman (1560), praising the day of the resurrection. In contrast, movement 5 recalls the danger by the enemies, until in movement 6 Jesus appears as to his disciples in Jerusalem, finally bringing peace. The line "Friede sei mit euch" (Peace be with you) is repeated four times, framing three stanzas of a poem. The closing chorale is the first stanza of "Du Friedefürst, Herr Jesu Christ" (Thou Prince of Peace, Lord Jesus Christ) by Jakob Ebert (1601).

The cantata in seven movements is scored for three vocal soloists (alto, tenor, and bass), a four-part choir, corno da tirarsi, a slide horn that Bach scored for a short period, flauto traverso, two oboes d'amore, two violins, viola and basso continuo.

The tenor aria Mein Jesus ist erstanden (My Jesus is arisen) is accompanied by an obbligato oboe d'amore. The theme is presented in the opening by the strings and later picked up by the voice, illustrating the word "auferstanden" by an upward run. The Easter chorale "Erschienen ist der herrlich Tag" marks the center of the composition. In symmetry, it is framed by two alto recitatives, the second a reprise of the first. The idea of a solo singer alternating with a chorus is extended in the following movement, the bass aria with chorus Friede sei mit euch (Peace be with you). A string introduction depicts in agitated forte passages in 4/4 time the attack of the enemies. John Eliot Gardiner describes it as "a dramatic scena in which the strings work up a storm to illustrate the raging of the soul's enemies". In sharp contrast the bass as the vox Christi (voice of Christ) sings the greeting of Jesus from verse 19 of the Gospel, "Peace be with you", three times, accompanied by woodwinds in dotted rhythm in 3/4 time, marked piano. Musicologist Julian Mincham describes the music as serene, a "gentle, rocking, almost cradle-like rhythm creating a perfect atmosphere of peaceful contemplation". The upper voices of the choir (without basses) answer to the music of the introduction, seeing Jesus as help in the battle ("hilft uns kämpfen und die Wut der Feinde dämpfen"). The greeting and answering is repeated two more times in two stanzas of the poem, reflecting the strengthening of the weary in spirit and body ("erquicket in uns Müden Geist und Leib zugleich"), and finally overcoming death ("durch den Tod hindurch zu dringen"). The following fourth appearance of "Peace be with you" is accompanied by both woodwinds and strings, and peace is finally achieved. Klaus Hofmann describes the movement as an "operatic scene" and continues "Bach resorts to unconventional means; he shows himself as a musical dramatist and, in the process, stresses the element of contrast: he comments upon the words of the faithful with agitated, tumultuous string figures, whilst Jesus' peace greeting sounds calmly and majestically, embedded in pastoral wind sonorities." Bach adapted this movement as the Gloria of his Missa in A major, BWV 234. The closing chorale "Du Friedefürst, Herr Jesu Christ" is a four-part setting.

Source: Wikipedia (https://en.wikipedia.org/wiki/Halt_im_Ged%C3%A4chtnis_ Jesum_Christ,_BWV_67).

I created this arrangement of the tenor aria Mein Jesus ist erstanden (My Jesus is arisen) for Brass (Bb Trumpet, Flugelhorn & French Horn) & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-07-25
Partition centrale :Halt im Gedächtnis Jesum Christ, 67 (5 partitions)

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Cette partition est associée à la collection de magataganm :
Viola Arrangements


Liste des partitions :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Alto et Harpe
› "Élégie" from "6 Études pour la Main Gauche" for String Quartet
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Alto et Harpe
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp






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