Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6894 Partitions
7584 MP3
1349 MIDI

Pieds pour Violon
Un large choix de supports pour violon sur !

"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Partitions Violon Trio à cordes Johann Sebastian Bach
Bach, Johann Sebastian: Aria: "Entziehe dich eilends, mein Herze, der Welt" for String Trio

Aria: "Entziehe dich eilends, mein Herze, der Welt" for String Trio
BWV 124 No 5
Johann Sebastian Bach

Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 : Aria: "Entziehe dich eilends, mein Herze, der Welt" (BWV 124 No 5) for String Trio 27x 214x VoirTélécharger PDF : Aria: "Entziehe dich eilends, mein Herze, der Welt" (BWV 124 No 5) for String Trio (4 pages - 144.2 Ko)173x

Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :

laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté

Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Trio à cordes

Genre :


Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Meinen Jesum laß ich nicht (I will not let go of my Jesus), BWV 124, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the first Sunday after Epiphany and first performed it on 7 January 1725. It is based on the hymn by Christian Keymann.

Bach wrote the chorale cantata in his second year in Leipzig for the First Sunday after Epiphany. Just a year earlier, on the same occasion, Bach had reflected Mein liebster Jesus ist verloren, BWV 154, from the point of view of a person who had lost Jesus. This cantata text is based on the chorale in six stanzas by Christian Keymann (1658). The text of the hymn begins, as in the former work, with an idea close to the gospel: the Christian does not want to let go of Jesus, as his parents had wished not to lose their 12-year-old boy, but then the chorale pursues the thought of being united with Jesus after death. An unknown poet kept the first and the last stanza, and paraphrased the inner stanzas to a sequence of as many recitatives and arias. Bach first performed the cantata on 7 January 1725, one day after Liebster Immanuel, Herzog der Frommen, BWV 123, for Epiphany.

In the opening chorus the soprano and the horn present line by line the cantus firmus, a melody by Andreas Hammerschmidt, who collaborated with Keymann on chorales. The lower voices are set mostly in homophony, while the orchestra plays its own themes in introduction, interludes and accompaniment. The character of the movement is a minuet, and the oboe d'amore takes a virtuosic concertante leading part. The phrase "klettenweis an ihm zu kleben" (cling to him like a burr) is illustrated by all three lower voices holding a note for three measures as if clinging to it. John Eliot Gardiner notes the "gentle, almost naïve tone of voice to reflect the submissive character of the text". A short secco recitative leads to a tenor aria, which is accompanied by the oboe, while the strings play "a persistent four-note drumming" to express "Furcht und Schrecken" (fear and terror). Alfred Dürr compares these repetitions to similar figures in the alto recitative "Warum wollt ihr erschrecken", movement 49 of Bach's Christmas Oratorio, Part V. In another secco recitative the term "nach vollbrachtem Lauf" (after my completed course) is pictured by a scale spanning an octave. A duet of soprano and alto, only accompanied by the continuo, moves like a dance in simple periods of four measures. The cantata is closed by the final stanza in a four-part setting.

The cantata in six movements is scored for four soloists, soprano, alto, tenor, and bass, a four-part choir, horn to play the cantus firmus with the soprano, oboe d'amore, two violins, viola, and basso continuo.

Source: Wikipedia ( h_nicht,_BWV_124).

I created this arrangement of the final Aria "Entziehe dich eilends, mein Herze, der Welt" (Withdraw yourself hurredly, my heart, from the world) for String Trio (Violin, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-08-05
Partition centrale :Meinen Jesum lass ich nicht, 124 (5 partitions)

Matériel & Partitions
Pieds pour Violon
Un large choix de supports pour violon sur !

0 commentaire


Cette partition est associée à la collection de magataganm :
Viola Arrangements

Liste des partitions :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Alto et Harpe
› "Élégie" from "6 Études pour la Main Gauche" for String Quartet
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Alto et Harpe
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp

Boutiques pour VIOLON

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux