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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6897 Partitions
7588 MP3
1350 MIDI



Arrangeurs :
› Bach, Johann Sebastian Original (3)
› Bergeron, Guy (1)
› Bizjak, Milko (1)
› Brassin, Louis (1)
› Chabert, Didier (1)
› Cunningham, Arianna (1)
› Durand, Patrice (2)

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Partitions Violon Quintette à cordes : 2 Violons, Alto, Violoncelle, Basse Johann Sebastian Bach
Bach, Johann Sebastian: Toccata & Fugue in D Minor for String Quintet

Toccata & Fugue in D Minor for String Quintet
BWV 565
Johann Sebastian Bach




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EcouterTélécharger MP3 : Toccata & Fugue in D Minor (BWV 565) for String Quintet 68x 957x VoirTélécharger PDF : Toccata & Fugue in D Minor (BWV 565) for String Quintet (26 pages - 533.51 Ko)447x
VoirTélécharger PDF : Bass (76.93 Ko)
VoirTélécharger PDF : Cello (89.58 Ko)
VoirTélécharger PDF : Viola (106.93 Ko)
VoirTélécharger PDF : Violin 2 (101.7 Ko)
VoirTélécharger PDF : Violin 1 (131.21 Ko)
 

 
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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Quintette à cordes : 2 Violons, Alto, Violoncelle, Basse

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach. Its time of origin, narrowed down depending on author, lies between c.1704 and the 1750s. The piece opens with a toccata section, followed by a fugue that ends in a coda. To a large extent the piece complies to the characteristics deemed typical for the north German organ school of the baroque era, but divergent stylistic influences, such as south German characteristics, have been described in scholarly literature on the piece.

For a century after its creation the only certainty about this Toccata and Fugue is that it survived in a manuscript written by Johannes Ringk. The first publication of the piece, in the Bach Revival era, was in 1833, through the efforts of Felix Mendelssohn, who also performed the piece in an acclaimed concert in 1840. The piece knew a fairly successful piano version by Carl Tausig in the second half of the 19th century, but it was not until the 20th century that its popularity rose above that of other organ compositions by Bach. That popularity further expanded until the Toccata and Fugue in D minor came to be considered as the most famous work in the organ repertoire.

A wide, and often conflicting, variety of analyses has been published about the piece: for instance in literature on organ music it is often described as some sort of program music depicting a storm, while in the context of Disney's Fantasia it was promoted as absolute music, nothing like program music depicting a storm. In the last quarter of the 20th century scholars like Peter Williams and Rolf-Dietrich Claus published their studies on the piece, and argued against its authenticity. Bach scholars like Christoph Wolff defended the attribution to Bach. Other commentators ignored the authenticity doubts or considered the attribution issue undecided. No edition of the Bach-Werke-Verzeichnis listed the Toccata and Fugue among the doubtful works, nor does its entry on the website of the Bach Archiv Leipzig even mention alternative views on the attribution issue.Johann Sebastian Bach's most famous organ piece is notable for its rhythmic drive as well for as its arresting opening motif.

Considered the epitome of scary organ music by the many who associate it with melodramatic silent-film scenes, it has been transcribed in various ways. Through much of the twentieth century it was often heard in an orchestral arrangement by Leopold Stokowski. The romanticized, roaring registration often used in organ performances is still effective, although interpretations aiming for historical accuracy tend to give the work a lighter touch. It is difficult to establish a chronology of Bach's organ works, for most of their autograph manuscripts (except for those from the end of his career) have been lost. Works such as this one have come down to us only in copies made by his students. In the absence of clues provided by the composer's handwriting, the paper he wrote on, inscriptions that appear on the manuscript, and so forth, scholars have tried to guess the date of this work based on stylistic considerations. Because of its most salient structural aspect -- the interpenetration of the toccata material and the contrapuntal fugue -- the work has been assigned to the beginning of Bach's career, before his 1708 move to Weimar. It is perhaps the very earliest among Bach's well-known masterpieces. The alternation of quasi-improvisatory and contrapuntal sections was characteristic of the works of the north German organist Dietrich Buxtehude, whom Bach walked some two hundred miles to hear in 1704, taking a leave of absence from his post as organist at the Neukirche in Arnstadt. By fully realizing the dramatic potential inherent in this technique, Bach created a timeless work.

Source: Wikipedia (https://en.wikipedia.org/wiki/Toccata_and_Fugue_in_D_m inor,_BWV_565).

Although originally composed for Organ, I created this modern interpretation of the Toccata & Fugue in D Minor (BWV 565) for String Quintet (2 Violins, Viola, Cello & Bass).
Source / Web :MuseScore
Ajoutée par magataganm le 2016-07-02
Partition centrale :Toccata et Fugue en Ré mineur, 565 (26 partitions)


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Cette partition est associée à la collection de magataganm :
Viola Arrangements


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› 'Élégie' for Viola & Harp - Alto et Harpe
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› "All Through the Night" for Violin, Viola & Harp






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