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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

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Partitions Alto Alto et Harpe Johann Sebastian Bach
Bach, Johann Sebastian: Aria: "Kapital und Interessen" for Viola & Harp

Aria: "Kapital und Interessen" for Viola & Harp
BWV 168 No 3
Johann Sebastian Bach




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EcouterTélécharger MP3 : JS Bach -- Aria - Kapital und Interessen (BWV 168 No 3) for Viola & Harp 84x 252x VoirTélécharger PDF : JS Bach -- Aria - Kapital und Interessen (BWV 168 No 3) for Viola & Harp (5 pages - 136.59 Ko)179x
VoirTélécharger PDF : Harp Part (118 Ko)
VoirTélécharger PDF : Viola Part (66.57 Ko)
 

 
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Aria: Kapital und Interessen for Viola & Harp
Télécharger MP3 (4.78 Mo) : (par Magatagan, Mike)8x 32x
Aria: Kapital und Interessen for Viola & Harp
Télécharger MP3 (4.75 Mo) : (par Magatagan, Mike)7x 35x



Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Alto et Harpe

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Tue Rechnung! Donnerwort (Settle account! Word of thunder), BWV 168, is a church cantata by Johann Sebastian Bach. He composed the cantata in Leipzig for the Ninth Sunday after Trinity as the first cantata of his third cantata cycle. The libretto is by Salomon Franck. Bach had often set Franck's texts while working in Weimar. Franck published the text of Tue Rechnung! Donnerwort in Weimar in 1715 in Evangelisches Andachts-Opffer, and Bach would probably have used at the time had it not been for a period of mourning for Prince Johann Ernst of Saxe-Weimar.

The prescribed readings for the Sunday were from the Epistle to the Romans, a warning of false gods and consolation in temptation (1 Corinthians 10:6--13), and from the Gospel of Luke, the parable of the Unjust Steward (Luke 16:1--9). Franck's text is closely related to the Gospel, beginning with a paraphrase of verse 2 in the opening aria. The situation of the unjust servant is generalized; he is seen wanting mountains and hills to fall on his back, as mentioned in Luke 23:30. Franck uses explicit monetary terms to speak about the debt, such as "Kapital und Interessen" (capital and interest). A turning point is reached in movement 4, referring to the death of Jesus which "crossed out the debt". The cantata is concluded by the eighth stanza of Bartholomäus Ringwaldt's hymn "Herr Jesu Christ, du höchstes Gut" (1588). Bach had treated the complete chorale a year before in his chorale cantata Herr Jesu Christ, du höchstes Gut, BWV 113, for the eleventh Sunday after Trinity.

Bach scored the cantata intimately, as he did for many of Franck's works. The singers consist of four vocal soloists (soprano, alto, tenor, and bass) plus a four-part choir only in the chorale and although originally scored for two oboes d'amore, two violins, viola and continuo.

Source: Wikipedia (https://en.wikipedia.org/wiki/Tue_Rechnung!_Donnerwort ,_BWV_168).

I created this arrangement of the second Aria "Kapital und Interessen" (Capital and interest) for Viola and Concert (Pedal) Harp.
Source / Web :Musescore
Ajoutée par magataganm le 2014-06-06
Partition centrale :Ärgre dich, o Seele, nicht, 186 (8 partitions)

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Cette partition est associée à la collection de magataganm :
Viola Arrangements


Liste des partitions :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Alto et Harpe
› "Élégie" from "6 Études pour la Main Gauche" for String Quartet
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Alto et Harpe
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp






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