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BIBLIOTHÈQUE
Saint-Saens, Camille Camille Saint-Saens
France France
(1835 - 1921)

428 Partitions
246 MP3
27 MIDI





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Partitions Alto Alto et Piano (ou orgue) Camille Saint-Saens
Saint-Saens, Camille: Adagio from the Sonata in G Major for Viola & Piano

Adagio from the Sonata in G Major for Viola & Piano
Opus 168 Mvt. 4
Camille Saint-Saens




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EcouterTélécharger MP3 : Allegro Moderato from the Sonata in G Major (Opus 168 Mvt. 4) for Viola & Piano 76x 358x VoirTélécharger PDF : Allegro Moderato from the Sonata in G Major (Opus 168 Mvt. 4) for Viola & Piano (2 pages - 106.83 Ko)209x
VoirTélécharger PDF : Viola Part (85.37 Ko)
VoirTélécharger PDF : Piano Part (92.98 Ko)
 

 
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Adagio from the Sonata in G Major for Viola & Piano
Télécharger MP3 (842.04 Ko) : (par Magatagan, Mike)13x 61x
Adagio from the Sonata in G Major for Viola & Piano
Télécharger MP3 (863.26 Ko) : (par Magatagan, Mike)14x 62x



Compositeur :Camille Saint-SaensSaint-Saens, Camille (1835 - 1921)
Instrumentation :

Alto et Piano (ou orgue)

  3 autres versions
Genre :

Romantique

Arrangeur :
Editeur :
Camille Saint-SaensMagatagan, Mike (1960 - )
Date :1921
Droit d'auteur :Public Domain
In the last year of his life, at the age of 85, Camille Saint-Saëns was still active as a composer and conductor, traveling between Algiers and Paris. Besides a final piano album leaf, his last completed works were three sonatas, one each for oboe, clarinet, and bassoon. He sensed that he did not have much time left; he wrote to a friend, "I am using my last energies to add to the repertoire for these otherwise neglected instruments." He intended to write sonatas for another three wind instruments, but was never able to. Saint-Saëns began the pieces early in the year while in Algeria and completed them in April in Paris. He was not alone in wanting to write for these instruments. English composers, such as Holst and Bax, and other French composers, such as Honegger and Milhaud, were also starting to expand the literature for woodwind instruments around the same time. In fact, Saint-Saëns' sonatas have pastoral and humorous moments that are similar to those others' works, relying on simpler melodies and textures than are found even his earlier chamber works, yet retaining Classical forms for their structure. Although all three sonatas were published before Saint-Saëns' death, they were not premiered until later. The Bassoon Sonata, Op. 168, was dedicated to Saint-Saëns' friend, August Périer, a bassoon professor at the Paris Conservatoire.

This, the final movement leads to the cadenza-like, minute-long final. Although originally written for Bassoon and Piano, I created this arrangement for Viola and Piano.
Source / Web :MuseScore
Ajoutée par magataganm le 2015-04-22
Partition centrale :Sonate pour basson en sol majeur, 168 (6 partitions)



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Cette partition est associée à la collection de magataganm :
Viola Arrangements


Liste des partitions :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Alto et Harpe
› "Élégie" from "6 Études pour la Main Gauche" for String Quartet
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Alto et Harpe
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp






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