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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

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Partitions Violon Ensemble à Cordes Johann Sebastian Bach
Bach, Johann Sebastian: Chorus: "Du Hirte Israel, höre" for String Orchestra

Chorus: "Du Hirte Israel, höre" for String Orchestra
BWV 104 No 1
Johann Sebastian Bach




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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Ensemble à Cordes

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Du Hirte Israel, höre (You Shepherd of Israel, hear), BWV 104, is a church cantata by Johann Sebastian Bach. He composed it for the second Sunday after Easter in Leipzig and first performed it on 23 April 1724.

Bach composed the cantata in his first annual cycle in Leipzig for the second Sunday after Easter, called Misericordias Domini, and first performed it on 23 April 1724.

The prescribed readings for that Sunday were from the First Epistle of Peter, Christ as a model (1 Peter 2:21–25), and from the Gospel of John, the Good Shepherd (John 10:11–16). The unknown poet begins with Psalms 80:2 and ends with Cornelius Becker's hymn "Der Herr ist mein getreuer Hirt", a paraphrase of Psalm 23 (1598). The poet refers in his work to more Bible context, such as Lamentations 3:23–25 and 1 Corinthians 10:13 for the first recitative, reflecting that God as the Good Shepherd will take care. In the second recitative, he concludes: "Only gather, o good Shepherd, us poor and erring ones; ah, let our journey soon reach an end and lead us into your sheepfold!" The last aria hopes "for faith's reward after a gentle sleep of death" (John 10:11–16, des Glaubens Lohn nach einem sanften Todesschlafe), combining the Baroque ideas of pastoral peace and longing for death.


Bach referred to the Pastorale aspect of the text in his music. In the opening chorus three oboes on the firm ground of extended pedal point create pastoral sounds, in triplets which are frequently associated with shepherds, such as in the Sinfonia opening Part II of Bach's Christmas Oratorio. The choir sings alternating homophonic calls, "höre!" (listen!) and "erscheine!" (appear!), and two fugues on the image of Joseph leading his flocks. The fugue subject is the same in both fugues, but the second time the voices enter from the lowest voice to the highest, culminating in an ultimate third section of the calls. Different from the normal setting, the instrumental introduction is not repeated after this climax.

The first recitative leads to an arioso part on the final Bible quotation "Gott ist getreu" (God is faithful). The tenor aria is accompanied by two oboes d'amore. In the bass aria, instrumentation, triplets and extended pedal points are reminiscent of the opening chorus. The closing choral is a four-part setting on the tune of "Allein Gott in der Höh sei Ehr".


Although originally scored for tenor and bass soloists, a four-part choir, two oboes d'amore, taille (tenor oboe), two violins, viola and basso continuo, I created this arrangement for String Orchestra (1st Violins, 2nd Violins, Violas & Cellos).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-02-11
Partition centrale :Du Hirte Israel, höre, 104 (5 partitions)


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Cette partition est associée à la collection de magataganm :
Viola Arrangements


Liste des partitions :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Alto et Harpe
› "Élégie" from "6 Études pour la Main Gauche" for String Quartet
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Alto et Harpe
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp






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