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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6894 Partitions
7584 MP3
1349 MIDI



Arrangeurs :
› Bach, Johann Sebastian Original (24)
› Best, William Thomas (1)
› Brigham, James (2)
› Coulomb, Laurent (1)
› David, Ferdinand (1)
› Düzgören, Mustafa Kemal (1)
› DESGRANGE, jean-Marie (1)

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Partitions Alto Alto (Viole) Johann Sebastian Bach
Bach, Johann Sebastian: Suite in D Major for Viola

Suite in D Major for Viola
BWV 1012
Johann Sebastian Bach




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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Alto (Viole)

  8 autres versions
Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Tonalité :Ré majeur
Droit d'auteur :Public Domain
Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time.

As unique and extraordinary as each of Bach's other five cello suites are, the Suite No. 6 is perhaps the most ambitious, strangest, richest of all. For this suite, Bach chose the key of D major, the triumphant key of his Magnificat and the "Dona nobis pacem" which concludes the Mass in B minor. He also calls for a five-stringed variant on the cello, though the work is playable on a conventional (four-stringed) cello. With these resources, Bach calls for resounding joy, carefully implied harmonies, and a rich, dense counterpoint that tests the cellist's skills to the maximum.

The Prelude, in a steady triple meter, is the only place in the set where Bach employed the dynamic markings (forte and piano), to simulate the effect of a Vivaldi-like echo sonata with phrases calling, responding, and gradually growing and developing into a fast-moving and playful cadenza and an untroubled recapitulation. With each suite Bach continues his progression away from simple dance-like structural roots. Melodic leaps are introduced in the fourth suite, chords in the fifth suite, and a subtle mix of chords, leaps, and implied harmonies, which become as important as the melodies, in the sixth suite. Indeed, this suite comes close in its technical challenges to the polyphonic simulations that Bach created in the partitas and sonatas for solo violin.

Joy takes many forms in this suite, from the echo-sonata textures of the Prelude to the stately grace and implied bass harmonies of the Allemande and Sarabande, and the homophonic march-like Courante. But the most unusual movement here must be the double Gavotte, where the subsections call for wide chords and melody over a ground bass, almost resembling a hurdy-gurdy playing at a peasant celebration. Its like wouldn't be heard again until Zoltán Kodály took up solo cello writing some 200 years later. The Gigue culminates this suite, and this great cycle, with a duet for solo cello, where the two interlocking voices gradually climb the scale, ascending to a high climax and sweeping back down to finish.

Source: AllMusic (http://www.allmusic.com/composition/suite-for-solo-cel lo-no-6-in-d-major-bwv-1012-mc0002389533).

Although originally written for Solo Cello. I created this Transcription of the Suite No. 6 in D Major (BWV 1012) for Viola.
Source / Web :MuseScore
Ajoutée par magataganm le 2017-08-04
Partition centrale :6 Suites pour violoncelle, 1007-1012 (139 partitions)

Matériel & Partitions
Instruments Alto 4/4
Rayon des altos 4/4 sur notre guide d'achat.

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Cette partition est associée à la collection de magataganm :
Viola Arrangements


Liste des partitions :
› "Joy to the World" for String Quartet
› 'Élégie' for Viola & Harp - Alto et Harpe
› "Élégie" from "6 Études pour la Main Gauche" for String Quartet
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Alto et Harpe
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp





Partitions ventes d'Europe
2 partitions trouvées pour "Suite in D Major for Viola"

Reger M. - Three Suites For Viola Solo Op. 131d
Alto seule
G. Henle
Compositeur : Reger, Max Instrumentation : Viola solo Editeur Musicologique : Beyer, Franz Couverture Reliée Contenu : Suite g minor Suite D major Suite e minor
12.00 EUR - vendu par Woodbrass
Délais: 3-10 jours - En Stock Fournisseur

String Quartets For Begin 3 - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Alfred Publishing
Comprised of works from Volumes 1, 2 and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off…
27.40 EUR - vendu par Woodbrass
Délais: 3-10 jours - En Stock Fournisseur


Partitions ventes des USA
30 partitions trouvées pour "Suite+in+D+Major+for+Viola"
Suite in D Major
Suite in D Major
Alto, Piano
Schott
Viola and Piano. By Georg Philipp Telemann. Arranged by Walter Bergmann, Watson Forbes. Schott. Size 9x12 inches. 31 pages. Published by Schott.
$16.95 - Voir plus => Acheter
Délais: 24 hours - In Stock
Suite in D Major
Suite in D Major
Alto, Piano
Peters
By Marais. Edited by Dalton. For viola, piano (cembalo). (with additional simplified Viola part). Duration 7 1/2'. Published by C.F. Peters.
$22.75 - Voir plus => Acheter
Délais: 1 to 2 weeks
101 Classical Themes for Viola
 
 
101 Classical Themes for Viola
Alto seule
Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard
$14.99 - Voir plus => Acheter
Délais: 24 hours - In Stock


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