adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6897 Partitions
7588 MP3
1350 MIDI





Anches pour Basson
Rayon des anches pour basson sur notre notre guide d'achat.



"Depuis 20 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Partitions Basson Basson, Orchestre à cordes Johann Sebastian Bach
Bach, Johann Sebastian: Aria: "Du mußt glauben, du mußt hoffen" for Bassoon & String Trio

Aria: "Du mußt glauben, du mußt hoffen" for Bassoon & String Trio
BWV 155 No 2
Johann Sebastian Bach




Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 (3.96 Mo)77x 256x VoirTélécharger PDF : Aria: "Du mußt glauben, du mußt hoffen" (BWV 155 No 2) for Bassoon & String Trio (5 pages - 161.16 Ko)353x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Basson, Orchestre à cordes

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Mein Gott, wie lang, ach lange? (My God, how long, ah, how long), BWV 155, is a church cantata by Johann Sebastian Bach. He first performed it in Weimar on the second Sunday after Epiphany, on 19 January 1716.

On 2 March 1714 Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule. He wrote this cantata for the second Sunday after Epiphany and first performed it on 19 January 1716 in the ducal chapel.

The prescribed readings for the Sunday were taken from the Epistle to the Romans, "We have several gifts" (Romans 12:6–16), and from the Gospel of John, the Marriage at Cana (John 2:1–11). The cantata text was written by the court poet Salomon Franck and published in 1715 in Evangelisches Andachts-Opffer. He expanded one thought from the gospel: Jesus is still hidden, but the "soul" may trust that he will appear at the right time. The poet uses images of wine to allude to the miracle at the marriage, such as "Der Tränen Maß wird stets voll eingeschenket, der Freuden Wein gebricht" (that the measure of tears is always fully granted, the wine of joy is lacking). The closing chorale is stanza 12 of Paul Speratus' "Es ist das Heil uns kommen her".

The opening recitative, speaking of longing and waiting, expands expressively on a throbbing pedal point of 11 measures, moving only on the words "der Freuden Wein gebricht" mentioning "joy" (the lack of joy, though), only to sink back for the final "Mir sinkt fast alle Zuversicht" (almost all my confidence has drained away). In the following duet, an unusual obbligato bassoon plays virtuoso figurations in a wide range of two and one half octaves (including a truly remarkable G0), whereas the voices sing together, for most of the time in homophony. Movement 3 speaks words of consolation. Bach chose the bass as the vox Christi (voice of Christ) to deliver them, almost as an arioso on the words "Damit sein Gnadenlicht dir desto lieblicher erscheine" (so that the light of His grace might shine on you all the more brightly). In the final aria, lively dotted rhythms in the strings and later in the voice illustrate "Wirf, mein Herze, wirf dich noch in des Höchsten Liebesarme" (Throw yourself, my heart, only throw yourself into the loving arms of the Highest), the rhythms even appear in the continuo several times, while the strings rest on long chords. The tune of an Easter chorale from the 15th century closes the cantata in a four-part setting.

Although this work was originally scored for soprano, alto, tenor and bass soloists, a four-part choir for the chorale only if at all, an obbligato bassoon, two violins, viola, and basso continuo, I created this arrangement for Bassoon & String Trio (Violin, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2014-08-15
Partition centrale :Mein Gott, wie lang, ach lange, 155 (3 partitions)


0 commentaire



Signaler

Cette partition est associée à la collection de magataganm :
bois
bois
arrangements à vent
Liste des partitions :
› Sonata in A Major from Chandos Anthem No. 8 for Oboe & Strings
› "À Tout Jamais" for Oboe & Bassoon Quartet - Haubois et basson
› "Ach, dass ich Wassers gnug hätte" for English Horn & Strings
› "Adieu Anvers" for Double Reed Quintet - Hautbois, Cor anglais, Basson
› "Adieux de l'hôtesse Arabe" for Oboe & Strings
› "Agnus Dei " from the Mass in B Minor for Double-Reed Trio
› "Album Leaf" from Lyric Pieces for Clarinet & Strings
› "All we Like Sheep have Gone Astray" for Winds & Strings
› "Allegro di Molto" from "Lieder ohne Worte" for Oboe & Strings
› "Amen Chorus" for Oboes & Strings






Boutiques pour BASSON

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux