adblocktest


BIBLIOTHÈQUE
Raff, Joachim Joachim Raff
Suisse Suisse
(1822 - 1882)

171 Partitions
51 MP3
7 MIDI





Hautbois - Music Minus One Collection
Music Minus One est une collection de partitions avec CD qui vous donne l'opportunité de jouer accompagné par un orchestre ou un piano.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Raff, Joachim: "Fern" from 12 Piano Pieces for Double Reed Quartet

"Fern" from 12 Piano Pieces for Double Reed Quartet
Op. 55 No. 8
Joachim Raff




Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 : "Fern" from 12 Piano Pieces (Op. 55 No. 8) for Double Reed Quartet 3x 30x VoirTélécharger PDF : "Fern" from 12 Piano Pieces (Op. 55 No. 8) for Double Reed Quartet (2 pages - 97.13 Ko)6x
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com





Compositeur :Joachim RaffRaff, Joachim (1822 - 1882)
Instrumentation :

Double-Reed Quartet

  1 autre version
Genre :

Classique

Arrangeur :
Editeur :
Joachim RaffMagatagan, Mike (1960 - )
Date :1850-52
Droit d'auteur :Public Domain
Joseph Joachim Raff was born on 27 May 1822 in the small town of Lachen, on the shores of lake Zürich in Switzerland. His father, Joseph, was a native of Empfingen, in Württemberg, south west Germany. In 1811, Joseph Raff had fled south to avoid compulsory conscription into Napoleon's army. After spells as organist & music teacher in a monastery in Wettingen and also in Lucerne, he set himself up as a schoolmaster in Lachen. In time he married the daughter of the local cantonal president - Katharina Schmid. The Raff family was poor but young Joachim had a basic education from his father. The boy was later sent to the Rottenberg Gymnasium in his father’s native Württemberg to study philosophy, philology and mathematics before financial pressures on the family forced his return to Switzerland. He finished his education with two years at the Jesuit Seminary in Schwyz, where he carried off prizes in German, Latin and mathematics. When Raff left Schwyz in 1840 it was to return to Rapperswil, near Lachen, to begin work as a teacher. As a child, though, Raff had already shown great natural talent as a pianist, violinist and organist, performing at the Sunday concerts in the nearby spa of Nuolen. Having taught himself the rudiments of music, he began to compose too.

Many of Raff’s works were premiered in Wiesbaden, sometimes with Raff himself conducting, but his world-wide fame spread until he came to be regarded as one of the foremost composers of his day - the equal of Brahms and Wagner. His skill at orchestration was prodigious and his ability as a melodist was universally praised, but he was not without his critics. Their main charge was grounded on the accusation that Raff was a Vielschreiber - someone who wrote (too) much and was too unselfcritical. He was accused of being an eclectic whose style was a synthesis of other composers’ styles rather than being his own. They felt that Raff’s natural aptitude was for character and salon pieces, rather than the symphonies, concertos and chamber music which he continued to produce. Raff could be a blunt and tactless person, who revelled in argument and enjoyed confrontation. He did little to placate his critics, however, and with growing success tended to become arrogant. "He was too proud" wrote even his daughter Helene.

He died at 60 of a heart attack on the night of 24/25 June 1882 after several months of illness brought on by his heavy workload. His final years had brought him all the recognition and security he could have desired and he had been confident that posterity would continue to place him in the first rank. So confident, in fact, that he had neglected to provide for his family, assuming that royalties would continue to give them an ample income. Perhaps in writing the motto of his 6th. Symphony: "Lived, Struggled, Suffered, Fought, Died, Glorified", Raff was unconsciously penning what he hoped might be his own epitaph.

Although Raff is remembered primarily as one of the foremost symphonists of his day, by far his largest output was for the piano. Three signifigant bodies of his works for piano date from his early years in Weimar, and include the newly-discovered Fantaisie. One of Raff’s first successes, Frühlingsboten (Spring) Opus 55 portrays nature in many-layered miniature scenes. The Drei Klavier-Soli concludes with one of Raff’s greatest piano pieces, Metamorphosen.

Source: Wikipedia (https://en.wikipedia.org/wiki/Joachim_Raff).

Although originally created for Piano, I created this Interpretation of the "Fern" (Far Away) from 12 Piano Pieces (Op. 55 No. 8) for Double-Reed Quartet (2 Oboes, English Horn & Bassoon).

Download the sheet music here: https://musescore.com/user/13216/scores/5677818
Source / Web :MuseScore
Ajoutée par magataganm le 2019-08-16
Partition centrale :Frühlingsboten, 55 (6 partitions)

Matériel & Partitions
Hautbois - Music Minus One Collection
Music Minus One est une collection de partitions avec CD qui vous donne l'opportunité de jouer accompagné par un orchestre ou un piano.

0 commentaire



Signaler

Cette partition est associée à la collection de magataganm :
bois
bois
arrangements à vent
Liste des partitions :
› Sonata in A Major from Chandos Anthem No. 8 for Oboe & Strings
› "À Tout Jamais" for Oboe & Bassoon Quartet - Haubois et basson
› "Ach, dass ich Wassers gnug hätte" for English Horn & Strings
› "Adieu Anvers" for Double Reed Quintet - Hautbois, Cor anglais, Basson
› "Adieux de l'hôtesse Arabe" for Oboe & Strings
› "Agnus Dei " from the Mass in B Minor for Double-Reed Trio
› "Album Leaf" from Lyric Pieces for Clarinet & Strings
› "All we Like Sheep have Gone Astray" for Winds & Strings
› "Allegro di Molto" from "Lieder ohne Worte" for Oboe & Strings
› "Amen Chorus" for Oboes & Strings






Boutiques pour HAUTBOIS

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux

Les cookies nous permettent de personnaliser le contenu et les annonces, d'offrir des fonctionnalités relatives aux médias sociaux et d'analyser notre trafic. Nous partageons également des informations sur l'utilisation de notre site avec nos partenaires de médias sociaux, de publicité et d'analyse, qui peuvent combiner celles-ci avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services.
Pour en savoir plus et paramétrer les cookiesFermer