Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6891 Partitions
7581 MP3
1346 MIDI

Hautbois - Music Minus One Collection
Music Minus One est une collection de partitions avec CD qui vous donne l'opportunité de jouer accompagné par un orchestre ou un piano.

"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Partitions Hautbois Quatuor à vent Johann Sebastian Bach
Bach, Johann Sebastian: Aria: "Mein gläubiges Herze" for Double-Reed Quartet

Aria: "Mein gläubiges Herze" for Double-Reed Quartet
BWV 68 No 2
Johann Sebastian Bach

Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 : Aria: "Mein gläubiges Herze" (BWV 68 No 2) for Double-Reed Quartet 36x 237x VoirTélécharger PDF : Aria: "Mein gläubiges Herze" (BWV 68 No 2) for Double-Reed Quartet (8 pages - 172.26 Ko)302x

Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :

laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté

Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Quatuor à vent

Genre :


Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Also hat Gott die Welt geliebt (God so loved the world), BWV 68, is a cantata by Johann Sebastian Bach, a church cantata for the second day of Pentecost. Bach composed the cantata in Leipzig and first performed it on 21 May 1725. It is one of nine cantatas on texts by Christiana Mariana von Ziegler, which Bach composed at the end of his second annual cycle of cantatas in Leipzig. In a unique structure among Bach's church cantatas, it begins with a chorale and ends with a complex choral movement on a quotation from the Gospel of John. Bach derived the two arias from his Hunting Cantata.

In his second year in Leipzig, Bach composed chorale cantatas between the first Sunday after Trinity and Palm Sunday, but for Easter returned to cantatas on more varied texts, possibly because he lost his librettist. Nine of his cantatas for the period between Easter and Pentecost are based on texts by Christiana Mariana von Ziegler, including this cantata. Bach had possibly commissioned them in 1724 for his first cantata cycle but not composed then. He later inserted most of them in his third annual cantata cycle, but kept this one and Auf Christi Himmelfahrt allein, BWV 128, composed for Ascension, in his second cycle, possibly because they both begin with a chorale fantasia. The poetess opened the cantata in an unusual way with the first stanza from Salomo Liscow's hymn (1675). It is close to the beginning of the Gospel: "For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life". In the final movement, she quoted verse 18 from the Gospel, set by Bach as an unusual choral movement.

The opening chorus is a chorale fantasia, as in Bach's chorale cantatas. The hymn melody by Gottfried Vopelius (1682) is sung by the soprano, doubled by a horn. Bach changed the rhythm of the tune from the original common time to 12/8. The musicologist Julian Mincham notes that he "embellishes it to a degree whereby 'it hardly seems like a chorale any more'".

The two arias are based on arias from Bach's 1713 Hunting Cantata (Was mir behagt, ist nur die muntre Jagd, BWV 208). The soprano aria "Mein gläubiges Herze" (My faithful heart) resembles the former aria of the shepherd goddess Pales "Weil die wollenreichen Herden" (While the herds all woolly-coated). In the church cantata, Bach used an obbligato violoncello piccolo, an instrument he experimented with in cantatas of the second cantata cycle (1724–25). John Eliot Gardiner describes it as "surely one of Bach's most refreshing and unbuttoned expressions of melodic joy and high spirits". The bass aria is based on the aria of the god Pan, "Ein Fürst ist seines Landes Pan" (A prince is his own country's Pan). Klaus Hofmann notes that the "splendid wind writing gives some hint of the pathos with which Pan ... is portrayed in Bach's hunting music".

The final movement is not, as in many church cantatas, a simple four-part chorale, but a motet-like structure which conveys a verse from the Gospel of John. The juxtaposition of "wer an ihn gläubet" (Whoever believes in Him) and "wer aber nicht gläubet" (but whoever does not believe) is expressed by a double fugue with two contrasting themes. The voices are doubled by a choir of trombones.

Source: Wikipedia ( eliebt,_BWV_68).

The cantata in five movements is scored for two soloists, soprano and bass, a four-part choir, horn, cornett, three trombones, two oboes, taille (tenor oboe), two violins, viola, violoncello piccolo and basso continuo.

To increase performability, I created a 2nd Oboe part for this arrangement for Double-Reed Quartet (2 Oboes & 2 Bassoons).
Source / Web :MuseScore
Ajoutée par magataganm le 2015-07-01
Partition centrale :Also hat Gott die Welt geliebt, 68 (10 partitions)

0 commentaire


Cette partition est associée à la collection de magataganm :
arrangements à vent
Liste des partitions :
› Sonata in A Major from Chandos Anthem No. 8 for Oboe & Strings
› "À Tout Jamais" for Oboe & Bassoon Quartet - Haubois et basson
› "Ach, dass ich Wassers gnug hätte" for English Horn & Strings
› "Adieu Anvers" for Double Reed Quintet - Hautbois, Cor anglais, Basson
› "Adieux de l'hôtesse Arabe" for Oboe & Strings
› "Agnus Dei " from the Mass in B Minor for Double-Reed Trio
› "Album Leaf" from Lyric Pieces for Clarinet & Strings
› "All we Like Sheep have Gone Astray" for Winds & Strings
› "Allegro di Molto" from "Lieder ohne Worte" for Oboe & Strings
› "Amen Chorus" for Oboes & Strings

Boutiques pour HAUTBOIS

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux

Les cookies nous permettent de personnaliser le contenu et les annonces, d'offrir des fonctionnalités relatives aux médias sociaux et d'analyser notre trafic. Nous partageons également des informations sur l'utilisation de notre site avec nos partenaires de médias sociaux, de publicité et d'analyse, qui peuvent combiner celles-ci avec d'autres informations que vous leur avez fournies ou qu'ils ont collectées lors de votre utilisation de leurs services.
Pour en savoir plus et paramétrer les cookiesFermer