adblocktest


BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6897 Partitions
7588 MP3
1350 MIDI





Pieds pour Basson
Rayon des pieds pour basson sur notre notre guide d'achat.



"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez Free-scores.com, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Partitions Basson 2 Bassons (duo) Johann Sebastian Bach
Bach, Johann Sebastian: Aria: "Gewaltige stößt Gott vom Stuhl" for Bassoon Duet

Aria: "Gewaltige stößt Gott vom Stuhl" for Bassoon Duet
BWV10 No. 4
Johann Sebastian Bach




Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 : Audio principal (3.08 Mo)80x 651x VoirTélécharger PDF : Aria: "Gewaltige stößt Gott vom Stuhl" (BWV10 No. 4) for Bassoon Duet (3 pages - 301.56 Ko)743x
VoirTélécharger PDF : Bassoon 1 Part (261.46 Ko)
VoirTélécharger PDF : Bassoon 2 Part (272.76 Ko)
 

 
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :





laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté Free-scores.com


Aria: Gewaltige stößt Gott vom Stuhl for Bassoon Duet
Télécharger MP3 (3.07 Mo) : (par Magatagan, Michael)117x 129x
Aria: Gewaltige stößt Gott vom Stuhl for Bassoon Duet
Télécharger MP3 (3.07 Mo) : (par Magatagan, Michael)93x 98x



Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

2 Bassons (duo)

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. He enriched many established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Mass in B minor, the The Well-Tempered Clavier, his cantatas, chorales, partitas, Passions, and organ works. His music is revered for its intellectual depth, technical command, and artistic beauty.

Composed for the Feast of the Visitation of the Blessed Virgin Mary, celebrated on July 2, Bach's Cantata No. 10 "Meine Sell erhebt den Herren" (My soul doth magnify the Lord) (BWV 10) sets not a Protestant hymn as nearly all his other chorale cantatas do, but instead the Magnificat, a Marian canticle drawn from Luke 1: 46-55 in the German translation by Martin Luther. The unknown writer of the cantata text used verses 46 through 48 for the first movement, verse 54 for the fifth movement, the doxology for the seventh movement, and adopted and paraphrased the other verses for the remaining movements. As befits a text centered on the mother of God and the implied redemption of the sinful world by her son, the tone of the music is predominantly joyful. The cantata is scored for soprano, tenor, bass and alto soloists, chorus, and trumpet, plus a pair of oboes, strings, and basso continuo. The cantata is in shining G minor with its first, third, and sixth movements in the tonic, but with a hopeful Picardy third at the end of the outer movements, its second movement in B flat major, its fourth in F major, and its fifth in D minor. The first movement opens with a massive and muscular sinfonia for the full orchestra, with the chorus entering after 12 bars with resounding statements of the hymn's first three verses. The second movement is nearly as powerful, with the strings, oboes, and continuo providing a strong instrumental backdrop for the soaring soprano soloist. The third movement is a dark-hued recitative for tenor soloist and continuo. The fourth movement is a propulsive aria for strapping bass soloist and a brawny organ continuo. The fifth movement is a sorrowful duet for tenor and alto soloists, with the oboes and trumpet declaiming the hymn tune above the subdued accompaniment. The sixth movement is a brief, unaccompanied tenor recitative followed by an only slightly more-expansive Andante for tenor, strings, and continuo. "Meine Seel erhebt den Herren" ends with a fully scored harmonization of the last lines of the hymn for the entire chorus and orchestra.

Although the Aria "Gewaltige stößt Gott vom Stuhl" ("The mighty God casts from their thrones") was originally composed for bass voice and continuo, I created this arrangement for Bassoon duet.
Source / Web :MuseScore
Ajoutée par magataganm le 2013-05-19
Partition centrale :Meine Seel erhebt den Herren, 10 (7 partitions)


0 commentaire



Signaler

Cette partition est associée à la collection de magataganm :
bois
bois
arrangements à vent
Liste des partitions :
› Sonata in A Major from Chandos Anthem No. 8 for Oboe & Strings
› "À Tout Jamais" for Oboe & Bassoon Quartet - Haubois et basson
› "Ach, dass ich Wassers gnug hätte" for English Horn & Strings
› "Adieu Anvers" for Double Reed Quintet - Hautbois, Cor anglais, Basson
› "Adieux de l'hôtesse Arabe" for Oboe & Strings
› "Agnus Dei " from the Mass in B Minor for Double-Reed Trio
› "Album Leaf" from Lyric Pieces for Clarinet & Strings
› "All we Like Sheep have Gone Astray" for Winds & Strings
› "Allegro di Molto" from "Lieder ohne Worte" for Oboe & Strings
› "Amen Chorus" for Oboes & Strings






Boutiques pour BASSON

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux