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BIBLIOTHÈQUE
Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6897 Partitions
7588 MP3
1350 MIDI



Arrangeurs :
› Bach, Johann Sebastian Original (1)
› Dalle Luche, Serge (1)
› MACHELLA, MAURIZIO (3)
› Magatagan, Mike (11)
› ZEHAR, Farid (1)
› Non attribuées (3)

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Partitions Basson Basson et Quatuor à cordes Johann Sebastian Bach
Bach, Johann Sebastian: Aria: "Eilt, ihr angefochtnen Seelen" for Bassoon & String

Aria: "Eilt, ihr angefochtnen Seelen" for Bassoon & String
BWV 245 No 24
Johann Sebastian Bach




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EcouterTélécharger MP3 : Aria: "Eilt, ihr angefochtnen Seelen" (BWV 245 No 24) for Bassoon & String 44x 74x VoirTélécharger PDF : Aria: "Eilt, ihr angefochtnen Seelen" (BWV 245 No 24) for Bassoon & String (8 pages - 222.52 Ko)303x
VoirTélécharger PDF : All Parts (408.02 Ko)
 

 
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Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Basson et Quatuor à cordes

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
The Passio secundum Johannem or St John Passion (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of two surviving Passions by Bach. It was written during Bach's first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church.

The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably Brockes') and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the St Matthew Passion, the St John Passion has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished".

The work is most often heard today in the 1724 version although Bach revised it in 1725, 1732, and 1749, adding several numbers. "O Mensch, bewein dein Sünde groß", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions.

The St John Passion is written for an intimate ensemble of soloists, four-part choir, strings and basso continuo and pairs of flauti traversi and oboes, the latter both doubling on oboe da caccia. For special colours Bach also used lute, viola d'amore and viola da gamba, instruments that were already old-fashioned at the time. In present day performances the part of Jesus is given to one bass soloist, Pilate and the bass arias to another. Some tenors sing the Evangelist – a very demanding part – and the arias. The smaller parts (Peter, Maid, Servant) are sometimes performed by choir members.

Source: Wikipedia (https://en.wikipedia.org/wiki/St_John_Passion).

I created this arrangement of the fifth Aria: "Eilt, ihr angefochtnen Seelen" (Hurry, you tempted souls) for Bassoon & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Ajoutée par magataganm le 2016-05-17
Partition centrale :Passion selon Saint-Jean, 245 (19 partitions)



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› Sonata in A Major from Chandos Anthem No. 8 for Oboe & Strings
› "À Tout Jamais" for Oboe & Bassoon Quartet - Haubois et basson
› "Ach, dass ich Wassers gnug hätte" for English Horn & Strings
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› "Adieux de l'hôtesse Arabe" for Oboe & Strings
› "Agnus Dei " from the Mass in B Minor for Double-Reed Trio
› "Album Leaf" from Lyric Pieces for Clarinet & Strings
› "All we Like Sheep have Gone Astray" for Winds & Strings
› "Allegro di Molto" from "Lieder ohne Worte" for Oboe & Strings
› "Amen Chorus" for Oboes & Strings






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