Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

6896 Partitions
7587 MP3
1350 MIDI

Meilleures ventes pour Haubois Solo
Toutes les partitions best sellers pour hautbois solo.

"Depuis 18 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Partitions Hautbois Hautbois, Orchestre à cordes Johann Sebastian Bach
Bach, Johann Sebastian: Chorale: "Sei Lob und Preis mit Ehren" for Oboe & Strings

Chorale: "Sei Lob und Preis mit Ehren" for Oboe & Strings
BWV 51 No 4
Johann Sebastian Bach

Annoter cette partition
Notez le niveau :
Notez l'intérêt :

EcouterTélécharger MP3 (10.3 Mo)61x 307x VoirTélécharger PDF : Chorale: "Sei Lob und Preis mit Ehren" (BWV 51 No 4) for Oboe & Strings (13 pages - 318.35 Ko)278x

Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :

laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video

Connectez-vous gratuitement
et participez à la communauté

Compositeur :Johann Sebastian BachBach, Johann Sebastian (1685 - 1750)
Instrumentation :

Hautbois, Orchestre à cordes

Genre :


Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Droit d'auteur :Public Domain
One of the most enduringly popular of Bach's solo cantatas, Jauchzet Gott in allen Landen, BWV 51 (for soprano, trumpet, strings and continuo), was originally written for the fifteenth Sunday after Trinity. It is thought to have been composed around 1730, during Bach's seventh year as Kantor of the Thomaskirche in Leipzig. Bach may have written the cantata text himself; it does not correspond closely to the readings for its appointed Sunday, which speak of vanity and faithlessness, hence his addition of "et in ogni tempo" (at any time) to the designation for its use.

The four movements are structured in the traditional chorale cantata form. The opening da capo aria, in ritornello form, features brilliant passagework for both soloists, with a forthright, unison C major arpeggio announcing the initial, somewhat Vivaldian, theme. The intricate counterpoint between trumpet and soprano throughout the first movement is an outstanding example of Bach's writing for voice and obbligato instrument. Each of the solo lines interlocks with the other in a finely balanced duet, and abundantly illustrates the call to "praise God in every nation."

The second movement is a recitative that begins with a clear, restrained chordal accompaniment in the upper strings coupled with a bass ostinato. The soprano melody is gentle and mostly syllabic until the eighth bar, when the bassline "walks" underneath a highly ornate, melismatic vocal line. At the word "lallen" (stammer) Bach displays his interest in word-painting with a particularly elongated phrase that is both meandering and jagged.

The ensuing dal segno aria, in an expansive 12/8 meter, accompanied by continuo, features a largely stepwise bassline that constantly flows upward. Although it is nominally in A minor, no hint of melancholy intrudes. The text, a prayer for God to bestow his mercies every new day, is set to a complex, wide-ranging melodic line that has an instrumental quality. Offbeats and weak beats are given particular stress in an unusual section where the bassline abruptly drops away as the vocal phrases become suddenly rapturous and quite independent of the occasional continuo punctuation.

The final movement starts as a violin duet, while the soprano sings the chorale tune "Nun Lob', mein Seel', den Herren," exhorting all to "give praise, glory, and honor to Father, Son, and Holy Ghost." In a gracious 3/4 meter, its long instrumental sections are both playful and confident, making much of imitative passages for the violins that tumble against and tease each other. The lengthy, concluding "Alleluja," rejoined by trumpet, is a noteworthy example of the virtuosic demands Bach often places on soloists. Its rollicking exuberance lends a particularly joyous tone to the cantata's conclusion.

Although originally written for solo voice (bass), viol & continuo, I created this arrangement for Bb Trumpet, French Horn & string Quartet (Violin, Viola, Cello & Bass).
Source / Web :MuseScore
Ajoutée par magataganm le 2014-06-07
Partition centrale :Jauchzet Gott in allen Landen, 51 (6 partitions)

Matériel & Partitions
Hautbois - Music Minus One Collection
Music Minus One est une collection de partitions avec CD qui vous donne l'opportunité de jouer accompagné par un orchestre ou un piano.

0 commentaire


Cette partition est associée à la collection de magataganm :
arrangements à vent
Liste des partitions :
› Sonata in A Major from Chandos Anthem No. 8 for Oboe & Strings
› "À Tout Jamais" for Oboe & Bassoon Quartet - Haubois et basson
› "Ach, dass ich Wassers gnug hätte" for English Horn & Strings
› "Adieu Anvers" for Double Reed Quintet - Hautbois, Cor anglais, Basson
› "Adieux de l'hôtesse Arabe" for Oboe & Strings
› "Agnus Dei " from the Mass in B Minor for Double-Reed Trio
› "Album Leaf" from Lyric Pieces for Clarinet & Strings
› "All we Like Sheep have Gone Astray" for Winds & Strings
› "Allegro di Molto" from "Lieder ohne Worte" for Oboe & Strings
› "Amen Chorus" for Oboes & Strings

Boutiques pour HAUTBOIS

Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux